вторник, 28 апреля 2015 г.

Copiloto "Los Puentes Hundidos"

Copiloto "Los Puentes Hundidos" (p)2015 Grabaciones En El Mar
The fourth full lenght of Zaragozan singer/songwriter Javier Almazan who hides himself under Copiloto moniker is set to release 4 years since his previous effort "El Inicio, El Desencanto Y El Circulo De Confianza" was out. Such the long hiatus usually means a lot of time to think it all over, so there wouldnt't be any surprise if "Los Puentes Hundidos" sounded opposite to his past achievements. Fortunately, if Javier had an intention to start the new life in music with this new record, then apparently he had no plans to erase all his previous career out.
The rocker tracks such as "Crecer Es Matar A Un Nino?" easily resemble the Copiloto's first effort "Defensa Del Artista Que No Existe". In its calmer moments ("Fulminado","No Me Reconozco") the new album sounds comparable to more pop-oriented "El Inicio...". The ghost of Deluxe (mostly of "If Things Were To Go Wrong" era) is floating in the air somewhere behind the right shoulder. The quiet acoustic "Ella Dice" is followed by the stormy "Uno Vs. Mundo Formal" (possibly the loudest track ever recorded by Copiloto - in this moment the ghost of Deluxe takes a step behind being replaced by the vision of the Canadian indie glam superstar Hawksley Workman). The tempo changes like in this particular pair of songs could make you feel like you're on the boat trip rocking on the waves until the synth-based slowburner "El Miedo (II)" marks the end of the journey.
Generally speaking, the sound of "Los Puentes Hundidos" is seemingly less polished, more edgy and psychedelic than on the previous albums - and it's good cos it sounds sincere, and the overall quality of songwriting makes me regret about four-year long absense of any material from this talented and creatively free musician.

The best tracks: Los Puentes Hundidos, Crecer Es Matar A Un Nino?, Uno Vs. El Mundo Formal, Ella Dice

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