Meet Solange Jacobs, the architect.
Under Fifteen Years Old alias this Lima, Peru native/Barcelona inhabitant creates the fragile soundscapes accompanied by the lyrics referring to controversy, self-sacrifice, sex, and politics.
Fifteen Years Old "The Image Lovers" (p)2011
Fifteen Years Old "Abecedario" (p)2015
I'm here to propose the following triangulation to understand what it's like: 1) thin as ice vocal vibrations of Julie Cruise 2) the quieter moments of the provocative tales of Jenny Hval (or the most adventurous anti-pop excerpts in Bjork's career); 3) 'I-wear-my-heart-on-the-sleeve' artistic approach and short spoken-word excercises of Miranda July.
The first short album "The Image Lovers" is sung in English, and I'd call it more accessible for the 'untrained' ear. The tracks here really are the songs: though they are hardly about the classic 'verse-chorus-verse' template, they have the clear and distinct melodies you can easily be nodding to.
"Abecedario" is far more based on intuition, far more about impromptu feel, and far more minimalist and uncalculated. It feels like these crawling, nervous, fractured hymns of vulnerability, possession and sacrifice sung by Sol's childish vocals draw the pieces of transition from 'girl' to 'woman'. Sol here abandons the cyclic structure of composition completely, leaving the things flow freely from point 'A' to point 'Somewhere not here'. As a part of audiovisual performance act this album would work the best, but even being separated from the visual component it may give you the right impression. There's a certain complaint of the reviewer used when the album is way too long to feel comfortable with: "This could be the greater EP". For "Abecedario" I should declare the opposite: "This could be the greater full lenght" because the music of this kind needs time to embrace you, and now when you are just feeling embraced - all of a sudden, the music stops.
"Performance Poetry, Political Pop, Experimental Pop, Moon Music, and Autobiographical" - these tags Sol uses to describe her own path in music. I consider "moon music" the key one because her music is as trembling and dizzy as the moon shadows are.
Under Fifteen Years Old alias this Lima, Peru native/Barcelona inhabitant creates the fragile soundscapes accompanied by the lyrics referring to controversy, self-sacrifice, sex, and politics.
Fifteen Years Old "The Image Lovers" (p)2011
Fifteen Years Old "Abecedario" (p)2015
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The first short album "The Image Lovers" is sung in English, and I'd call it more accessible for the 'untrained' ear. The tracks here really are the songs: though they are hardly about the classic 'verse-chorus-verse' template, they have the clear and distinct melodies you can easily be nodding to.
"Abecedario" is far more based on intuition, far more about impromptu feel, and far more minimalist and uncalculated. It feels like these crawling, nervous, fractured hymns of vulnerability, possession and sacrifice sung by Sol's childish vocals draw the pieces of transition from 'girl' to 'woman'. Sol here abandons the cyclic structure of composition completely, leaving the things flow freely from point 'A' to point 'Somewhere not here'. As a part of audiovisual performance act this album would work the best, but even being separated from the visual component it may give you the right impression. There's a certain complaint of the reviewer used when the album is way too long to feel comfortable with: "This could be the greater EP". For "Abecedario" I should declare the opposite: "This could be the greater full lenght" because the music of this kind needs time to embrace you, and now when you are just feeling embraced - all of a sudden, the music stops.
Fifteen Years Old on Tumblr
Fifteen Years Old on BANDCAMP
Fifteen Years old on Facebook
Muchas gracias a Sol Jacobs por contactarme y invitarme al mundo de Fifteen Years Old
Fifteen Years Old on BANDCAMP
Fifteen Years old on Facebook
Muchas gracias a Sol Jacobs por contactarme y invitarme al mundo de Fifteen Years Old
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