Показаны сообщения с ярлыком Elefant. Показать все сообщения
Показаны сообщения с ярлыком Elefant. Показать все сообщения

вторник, 11 августа 2020 г.

Fred Fredburguer "Fred Fredburguer"

 Fred Fredburguer "Fred Fredburguer" (p)2020 Elefant

Disarmingly charming sunny indie pop/power pop that is the most enjoyable in the form of singles or the Instagram Stories' snippets. Being consumed as a whole the album, though quite short and cushy, sounds relatively samey. But for fans of Cola Jet Set and Los Fresones Rebeldes or, internationally speaking, the bands of Sarah Records/ Shinkansen Records' roster it's a nice piece of music to fall for.

BNDCMP


среда, 10 июня 2015 г.

Axolotes Mexicanos "Holi 3"

Axolotes Mexicanos "Holi <3" (p)2015 Elefant
The debut full lenght of Asturian indie pop trio Axolotes Mexicanos starts with the fast and furious drumming like it is a hardcore/punk act. But as the album goes on the pop sensibilities win over, so the music becomes more aligned to twee pop and - thanks to synths operated by the female vocalist Olaya - to Japanese wing of indie pop music known as 'Shibuya-Key'. Hence it becomes apparent that Elefant Records had no intentions of switching to rough punk scene while releasing this album, and the bands that create such pure pop tracks as "El Basurero" and "Villalpando" and breezy melodies as "Te Miro Mientras Duermes" and "Interestelar" are still its focus of attention. Anyway, the punk roots aren't abandoned completely, and the album comes to end on the same rails where it started with "Hay Una China Que Vive En Mi Piso" which is the short fast and minimalist punk chant. So, for those of you who are into Shonen Knife or Los Fresones Rebeldes this album would be a good fit.

The best tracks: Te Miro Mientras Duermes, Interestelar, El Basurero



четверг, 12 марта 2015 г.

20 Key Labels of Contemporary Spanish Indie Scene. Part I

A month ago I incidentally came across an article named "13 Labels That Define Spain's Indie Music History". It briefly covered some truly emblematic labels but also the list included the labels that, on my opinion, had pretty limited impact on the scene. So I decided to make my own list of the key labels of Spanish indie rock. Here below is the 1st part of this list (in alphabetical order). 

Acuarela (Madrid) Sr. Chinarro, Migala, Refree
One of the seminal indie labels of 90s and 00s is led by 'the man of many talents' Jesus Llorente. Formerly being responsible for producing such the 'high profile' artists as Sr. Chinarro and Migala, now the label releases the string of less-known musicians like Manu Ferron or A Veces Ciclon while Jesus tries to diversify the activities by releasing the books and creating the comic strips.
One album to listen to: Migala "La Increible Aventura"

Aloud Music (Barcelona) Fira Fem, The Last 3 Lines, Nothink
The relatively young Barcelona-based label with the roster that could make the Pitchfork reviewers tremble - the genre specialization of Aloud lies somewhere in the wide range between [adored by hipsters] electro, nugaze and so-called 'post-everything'. Pitchfork would definitely like many of the albums released by the label.
One album to listen to: Fira Fem "Fira Fem"

BCore Disc (Barcelona) The New Raemon, Betunizer, Eric Fuentes
Arguably the most important Spanish indie label of today. Launched 25 years ago as some kind of Spain's own Dischord and initially being concentrated on punk and hardcore/post-hardcore now BCore includes many stylistically different bands (let's just take four most recent albums by the label: Dulce Pajara de Juventud's "Triumph" is alternative rock with 'wall of sound' and soul music elements, Margarita's self-titled effort is pop-punk, The New Raemon's "Oh, Rompehielos" is singer/songwriter and Jupiter Lion's "Brighter" is electro).
Also the label maintains the enormous list of officially licensed albums from many of the key North American independent labels where you can easily be drown into for hours.
One album to listen to: Betunizer "Gran Veta"

Discos Humeantes (Oviedo) Fabuloso Combo Espectro, SraSrSra, Farniente
The quirky punky uncompromised Asturian label's releases include, for instance, lo-fi/no-fi garage duo SraSrSra, tight punk band Futuro Terror, mentally unstable post-punks Fabuloso Combo Especto, perfect IDM project Farniente. Getting into your hands any given album released by Discos Humeantes you'll never know beforehands what you're up to deal with. And this is not a bug, it's a feature.
One album to listen to: Futuro Terror "Futuro Terror"

El Genio Equivocado (Barcelona) Las Ruinas, Grushenka, Algora
The burgeoning Barcelonian imprint tends to be one of the most interesting labels of the current moment. Celebrating its fifth anniversary in 2015 the label spearheaded by Joan Casulleras and Rafa Piera has the perfect and potentially groundbreaking (at least in terms of indie world) roster that includes such names as Algora, Burrito Panza, Grushenka, Cosmen Adelaida, Como Vivir En El Campo, Hans Laguna, Las Ruinas... Should I tell you more? Probably no.
One album to listen to: Las Ruinas "Toni Bravo"

El Hombre Bala (Santa Cruz de Tenerife) Resonance, El Viejo Astra, Brutalizzed Kids
You may know nothing about Canarian indie scene but it's not because of the scene's poor conditions. Mostly it's because of the geographic remoteness and logistical issues caused by it. It's energetically and financially devastating to move your gear to and from the mainland, so only few bands from Canary Islands are able to do so. But if there is anything to prove the quality (and quantity as well) of the local bands that have limited live access to remote listener it's El Hombre Bala - the label, the bar, the eventplace.
One album to listen to: El Pilar Azul "La Constante Sin Nombre"
Elefant (Madrid) La Bien Querida, Cooper, La Casa Azul
To say "Spanish indie pop" is to mean "Elefant Records" and vice versa. Initially building its notoriety upon the 'donostia pop' phenomenon (Aventuras de Kirlian, Le Mans, etc) in the 1st half of 90s now Elefant remains one of the most notable and the most significant indie labels of Spain... not only Spain, in fact, but of all non-English speaking part of world being responsible for tons and tons of classics released all through these years.
One album to listen to: Family "Un Soplo En El Corazon"

Ernie Producciones (Vigo) Ninos Mutantes, Julio De La Rosa, Igloo
As I have already said it once, the balancing man stamp is the best confirmation of the quality. You can't deny the fact that Ernie Producciones/Records is one of the key indie labels as for Galicia as for Spain as a whole. Just look at these names: Ninos Mutantes, Julio de la Rosa, Igloo, Maryland, Nino Y Pistola, Napoleon Solo, Pasajero, Novedades Carminha, Holywater...It couldn't be any better.
One album to listen to: Igloo "La Transicion De Fase"


Flor Y Nata (Catalunya) Colorado, Lo Nunca Dicho, Carlos Siles
Having such the stylistically diversified bands as Colorado, Karenin, TanStuPids or Copo in the roster, another Catalan imprint Flor Y Nata has no inclination to any particular genre. But while the genre-based philosophy definitely is not one of the label's strenghts, the variety of supply truly is.
One album to listen to: Carlos Siles "Doce Maneras De Esperar El Final"

Foehn (Barcelona) I Am Dive, Oso Leone, Poomse
Led by red-haired Barcelonian Marc Campillo, Foehn Records is the label with distinct and well-shaped philosophy. If you're looking for the pure entertainment, please, walk away. There's nothing to entertain you but there's a lot to make you think over, make you feel deep emotions, make you drop with the raindrops upon the leaves in the hazy forests, make you see the world by the multifacet eye of the dragonfly.
One album to listen to: GAF & The Love Supreme Arkestra


The next part is HERE.

понедельник, 16 февраля 2015 г.

Los Bonsais "Nordeste"

Los Bonsais "Nordeste" (p)2015 Elefant
10 songs in 18 minutes. 18 minutes between the very beginning of 90's and the time that we live in right now. 18 minutes between twee and nugaze. Between pop and noise. Between Heavenly and Best Coast. Very simple music with very catchy tunes. If I was a Pitchfork reviewer I'd write a novel-like load of words which would juxtapose the narcissism of a writer with the lack of understanding what he'd speak about. But here you can simply say: 'A classic Elefant Records release' - and all is clear about it.

The best tracks: It makes no sense to name the exact best tracks on this album because it won't take a lot of time to listen to them all