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вторник, 17 декабря 2019 г.

The Best Of 2019. Top10 EPs and mini-albums

Starting this I don't feel good cos for the most part of the year I was pretty silent here. Was it the writer's block or any kind of fatigue (or I was just too lazy) - I didn't manage to maintain the frequency of the posting set by the previous years' experience. But it's the end of the year, and there's a tradition I can't avoid. So please find below 10 amazing albums too small to make it into the main list. I'm not pretty sure about the certain order so let's put it like this: these are the best short form releases of the year with neither particular order nor one and only number one. All of these are great.

AA MamaLlama Cuando Llegues” 
(p)Son Buenos 

ElodieBiologico” 
digital only release

I Am DiveKriegszeit” 
(p)WeAreWolves 

PararrayosRombos o Diamantes
(p)Edita La Servidumbre 

DewinterCold Like The Winter“ 
(p)Musarañas 

Les AtxesError Perfecte” 
(p)El Mamut Traçut/Hidden Track 

Moito!Ingenieria Inversa” 
self-released

NoiseedDark Matter
(p)El Hombre Bala

Walking LandsWe Live And Breathe On The Same Planet” 
(p)Beauty Fool 

Los MarcianosContra El Mundo” 
(p)Clifford 


воскресенье, 17 февраля 2019 г.

Elodie "Biologico"

Elodie "Biologico" (p)2019 label tbd
You can’t call this indie rock combo prolific but it’s well worth waiting for “Biologico” all these 5+ years that passed on since Elodie’s previous effort “Tu Reloj” was brought to light.
Such gap couldn’t go by without causing some changes. Above all it translated into the considerable stylistic shift from electro rock that incorporated some guitar-fueled concomitants to purely guitar-driven rock with the touches of synths. The next modification is structural. Formerly one man project by Argentina-born Tenerife-settled Marcos Estrella, during the recording sessions of “Bilologico” it was converted into the duo with involvement of Marcos’ recording/production assistant and longtime friend Gustavo Molina into the creative process. His impact - along with providing these songs with the live drumming - is the most evident in the tracks “Nacimiento” and “Muerte” where the synths operated by Gustavo are the anchors for the melody. The latter is the most danceable track of the album. I can imagine it sounding over the sweaty people rockin’ out at the alternative dance parties. The rest of tracks is led by Marcos' guitar (the introductive part of "Reincarnacion" is so fucking cool) and his brave singing.
Thematically, “Biologico” revisits the Vedic concept of Samsara cycle as all the songs are following its pattern: “Birth” – “Growth” – “Reproduction” – “Death” – “Reincarnation” – “Samsara”. As far as I could get through the lyrics, this idea is applied to human relationships but I’m not sure as my aural Spanish skills are still not that great.
For me as a 90’s indie rock junkie the album recalls some lower profile (in the best sense of the term) bands like Small 23 along with their more well-known contemporaries such as Velocity Girl. The traces of post-punk and power pop are easily recognisable as well. In addition, "Crecimiento" (my favourite track on the album) reminds me of Mi Pequena Radio's first longplay "Esquiando Hacia Arriba". Though its roots are obviously planted in at least decade-long distance the album sounds crispy fresh. All the songs are catchy but there’s something more important than catchiness. It's emotion it delivers. This album's gonna bring you a whole lot of positive emotions. All these 20 minutes I've spent with the happy smile on my face, and the first thing I wanted to do right after the running time drew to a close was jumping around while shouting out something inarticulate.