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четверг, 21 августа 2014 г.

#SonoramaRibera2014. The Report. Day 3, 15.08.2014. Minutes of glory


The program of the third day should start again on Plaza del Trigo with the set of The Handicaps. We saw The Handicaps last year on Red Bull Tour Bus and they caught our attention by their energy, good pack of melodies and unconventional use of stage railings and mic stands as the tools to play their guitars. So The Handicaps were 'must see' for us.
The Handicaps
Their set was as energetic and melodic as it had been a year ago, and we were standing right before the stage at its middle, but for us the performance was a bit spoiled by the fact that we hardly could hear the vocals (I suppose that the stage monitors were tuned this way to provide the far-standing persons with the wall of sound cos it seemed like for those behind us everything was OK). In terms of stage presence The Handicaps rocked as hell. Would like to see them again.
They were folowed by the four-piece Perro - the band from Murcia who play loud rock that has strong ties to hardcore but is not hardcore itself. Their uncommon feature is doubled drum section - yes, with two drummers. Additionally, the guitarist and the bass players shared the vocal duties and switched their instruments. We moved to the left (for us) corner of Plaza del Trigo to hide from the scorching sunlight - and there vocals were OK. Perro were bold, cocky and perky. The people on Plaza raved for them.
Perro
The next band were Correos, another alternative rock band. I was not familiar with them at all, never heard anything of them before. But they were equally cool, loud and melodic. One more band to follow or even to fall for.
Correos
After their set we met again with Javier Ajenjo. And what followed next almost drove me absolutely mad. Javier took me onstage right in front of the crowd and then introduced me to all of the people there, to all of these happy faces on the square and nearby streets. it was only for 30 seconds max but it was definitely the most heartwrenching moment of my life. The crowd even chanted my name! I'm a shy person but it was fantastic. If it was unbelievable for me to met a person who knows about the mere existence of my blog, or to hug with the fest director/musician from the band that I adore - then what was THIS? It was... I don't know. Maybe if I'm dying at 70 there wouldn't be any comparable moment for the rest of my life (unfortunately, I can't find any foto documenting this moment).
And after that the 'secret show' of Ninos Mutantes started. Plaza del Trigo stage is famous for such the surprises. Last year there was the secret show of Supersubmarina where the band played their own songs but finished them with somebody else's tunes. Now Ninos Mutantes made a set of covers that included Pixies, Depeche Mode and, again, Raphael's "Como Yo Te Amo". The only song of their own was "Errante".We were standing backstage 10 feet behind the musicians so I didn't dare to shout out the words of "Where Is My Mind" or "Errante" staying so close.
Ninos Mutantes from backstage

The opening act of the evening/night set were The Three Generations. I'd been listening to their album "Pillage" pretty regularly a couple of years ago. Live they were driving and cohesive but we left them in favor of Jack Knife. We missed this band last year on Plaza del Trigo - and as far as I knew from the reports and chronicles they set the Plaza on fire. So I would like to see them on much larger venue. And I'd rather consider this a loss. No, the band was OK - but Ribera stage seemed too large for them, and the audience seemed not to be so numerous. On the closed space of Plaza del Trigo surrounded by buildings the sound is more narrowly directed than on wide area of recinto ferial, and the spectators are so close one to another that they can almost strike the sparks by the collisions of their bodies. Maybe now they gathered the same amount of people - but here before the main stage it seemed like the lack of people.
The Three Generations
Jack Knife
Later we went to Castilla stage to see El Hombre Gancho. Before Sonorama I've checked them on youtube and found them good enough to go and see them. I made no mistake - El Hombre Gancho were fine. The band members looked like the old school latino-rockers but their music had nothing in common with old school latino-rock.
El Hombre Gancho
We stayed with them for 6 or 7 songs and we'd like to stay more but we should leave to win ourselves a better place before Ribera to see Second. Second are on tour with the last year's album "Montana Rusa", and now they're touring with the tiny classic orchestra. The participation of the orchestra is limited, it does not prevail on sound but makes the songs more colourful and bright. Second were in the perfect form. The band did not concentrate on the songs from "Montana Rusa" and played almost all the best songs from the last three albums. Overall, it was an astonishing show. "No, THAT was the best concert in my life", said I when it was over.
Second with the orchestra


After Second we came to VIP zone to drink wine and stayed there for awhile listening to DePedro from afar.

The whole show of Amaral we were watching from 'zona privado' of the VIP zone. Eva Amaral is another controversial person of this edition of Sonorama. She was one of the first headliners penned for the fest, and it was met with mixed reaction from fans due to Amaral and her band are on the far pop wing of Spanish rock music. Despite this fact she has good connections within the indie world, and her performance was much lauded anyway.
Amaral
If the performance of Leon Benavente that we say a year ago was absolutely outrageous, the new one seemed to be more controlled. All this year me and Tanya were listening to Leon Benavente's releases (self-titled LP and EP "Todos Contra Todos") so their set took no surprises for us in itself. But every performance of the band is a must by default - so great they are.
Leon Benavente
On the song "Ser Brigada" we started to break out of the crowd to run for Izal, but there was no place to run because another crowd was already there. We stuck somewhere in the middle without clean perspective to get closer to Tanya's favourite band. It was the first time for us when we could not manage to get to the security bars right at the stage - the good planning did not work well when the target shows were going back to back.
Mikel was bright and spectacular as always. We knew all the songs by heart and were just dancing and shouting the lyrics in the air. Needless to say that we were absolutely happy.
Izal from afar
At 2 a.m. we started to pave our way back home but before we walked away we listened to a couple of songs by Reptile Youth. It was enough to consider Reptile Youth not our piece of pie.

Summarizing the emotions, it was a great day for us. The greatest day. But it could be even better if we would attend the set of Cosmen Adelaida that was impossible due to coincidence with Izal.

вторник, 10 июня 2014 г.

#Contempopranillo. Contempopránea 2014 en Badajoz, 6-7 of June. Day One


Contempopranea (pronounced with the emphasis on the 1st ‘a’) is one of the longest-running indie festivals in Spain. This year marks the considerable change in the concept of the fest. Historically, it always took its place in the town of Alburquerque, Extremadura province. But within the 19th edition of festival it was divided onto two legs: 1st to take part in the town of Badajoz (with such the renowned acts as Russian Red, Love Of Lesbian and Fuel Fandango as the headliners), and 2nd in Alburquerque (with La Habitacion Roja, Ninos Mutantes, etc.) As the 1st leg would a) coincide with my birthday, and b) present my favorite band Love Of Lesbian along with my wife Tanya’s favorite band Izal, we have decided to attend it anyway. Later it was announced that Russian Red would left the lineup due to her obligations with the Asian mini-tour and would be replaced by Ivan Ferreiro. It was nice news for me cos Ivan is one of my favorite musicians as well.

To get there we should take a pretty long trip: by plane from Moscow to Madrid, and then by car from Madrid airport Barajas 415 km to Badajoz. In sum it should take about 9 hours of pure travelling from point A to point B, in fact it took over 14 hours of our lives so we entered the old town of Badajoz at 05:00 pm of 6th of June being a bit exhausted. Having no time to rest, we run to the historical site of Alcazaba – an ancient castle on the hill by the river Guadiana (that gave the name to vine region DO Ribera del Guadiana - and this is why there is hashtag "contempopranillo" in the heading of my report) shore, where, inside the castle, the Contempopranea fest should take its place. We received our wrist braces in taquilla and then were approached by a woman who tried to ask us about something we were not in touch really. She spoke bad English, we spoke bad Spanish.
Then we had a small amount of time to walk around and see the surroundings.
Burgim

At 8.00 pm we came to Alcazaba to see the 1st band of Contempopranea 2014 - Burgim. Burgim were not great but they were good enough. They have pack of really good songs, and while their appearance onstage still wasn’t one of their strengths their abilities are quite promising and the potential of their music is visible.
Mikel Izal

The next band that should appear before our eyes were Izal. Izal is by all means one of the greatest Spanish bands in terms of stage presence. We missed them last year on Sonorama (in fact, we missed them there even two times – taking in mind their secret concert on the Carson stage) where their show was much lauded. Now we were prepared and successfully moved our bodies right at the security bars before the stage while the audience was not overwhelmingly numerous at that moment. Mikel Izal is the great showman. Not only because he has really great voice but also because onstage is the place where he lives his life. All his stage behavior speaks on this. The band played all the songs that we wanted them to (“Prueba Y Error”, “La Mujer De Verde”, “Panico Practico”, “Magia Y Efectos Especiales” amongst others) and left the place followed by the thunder-like applause.

Sidonie

Earlier this year Sidonie have put to release their new album “Sierra Y Canada” which marked their stylistic move from psychedelic retro-rock of their previous LP “El Fluido Garcia” to electronica-based future pop. I expected them to be play electronica here but otherwise Marc, Jes y Axel, backed up by the live members Marcel (guitar) and Edu (keyboards), were rocking out like a solid rock band. They used MIDI-sequensors and other ‘digital noise generators’ but only for supporting role, not as the main part of the sound palette. Their live program covered all the second part of the band’s career starting from the breakthrough album “La Costa Azul” though the main focus of attention was, for instance, “Sierra Y Canada”. The songs from the album being played with rock instrumentation sounded much better for my taste than they were on the album. When it was all over I considered the show of Sidonie absolutely astonishing on par (or even a bit better) with Izal’s one. 

Ivan Ferreiro

Then we came back to hotel to put our tired bodies to rest before the late night show of Ivan Ferreiro cos The Horrors and Maximo Park were none of our interest and it was better for us to sleep a couple of hours than to see these bands. 2.45 am we woke up and without any preparations or make-up or any we walked to Alcazaba again to see Ivan Ferreiro. Like Sidonie before him, Ivan was not concentrated fully on his last record “Val Minor - Madrid” and started the show with “Turnedo” from his first solo album “Las Canciones Del Tiempo Y La Distancia”. Then “Abrazame” from “Las Siete Y La Media” followed. So the show was more like the career-spun tour than the new album presentation. To my surprise, no songs from my favorite Ivan’s album “Picnic Extraterrestre” were played, and there was only one song from “Mentiroso Mentiroso” – “NYC” on which I cried like a child. In his three-piece suit Ivan looked like an alternative version of middle-aged Frank Sinatra. Periodically he played the pianola but mostly he walked over the scene with the strange birdish walk and heroic poses. Under the bottom line, for me as a fan it was great. For Tanya who is not a fan of him, it was some kind of The Great White Spot - something that one could never understand.


среда, 27 ноября 2013 г.

The Best Of 2013. Albums 20 - 11

20. Extremoduro “Para Todos Los Publicos” (p) Warner Music Spain

19. Carlos Siles “Doce Maneras Para Esperar El Final” (p) Flor y Nata

18. Izal “Agujeros De Gusano” (p) HOOK

17. Breis “Invisibles” (p) Sweet Song

16. Grises “No Se Alarme Senora, Soy Sovietico” (p) Origami

15. El Pilar Azul “La Constante Sin Nombre” (p) El Hombre Bala

14. Delafe Y Las Flores Azules “De Ti Sin Mi – De Mi Sin Ti” (p) Music Bus

13. La Sonrisa De Julia “El Viaje Del Sonambulo” (p) Warner Music Spain

12. Buena Esperanza “Pacifica” (p) Gran Derby


11. Muy Fellini “Fragmentos De Una Explosion” (p) Clifford