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понедельник, 23 декабря 2019 г.

The Best Of 2019. TOP50. 01-10


I’m curious what people may think about being included into my annual poll. The people, you know, who are in the list and who have no idea, basically, why. It goes like this: one day Facebook informs them of a post that mentions their album as a national TOP50 entry, and they guess, what does it mean? So, how should we react to this? Is it good or is it kind of freaky? Who’s that guy? Is he credible? Let’s see, who he is. He is from where? Russia? The guy from Russia has an opinion on what’s going on here in Spain – sounds kinda strange, doesn’t it? What’s the matter?
Or it goes like: ‘Okaaaaay, guys. We’re in somebody’s annual poll now, and this is great by default!’ 
I’m just curious, really.
So, here you are. The best albums of the year. The most delicious part of the TOP50. The Big Ten.

Merry Christmas!

10. Atencion Tsunami «Vltra»
(p)Records del Mundo
The sounds of the alternative dance halls of the 22nd century. The danceable rock music with no dance invented for it as of now.

9. Exfan «Exfan»
(p)Gatuela
All of Patricia Escoin's ongoing projects (Los Amantes, Lula and Exfan) deserve nationwide praise, I swear.

8. Furious Monkey House «Love, Scum & Dust»
(p)Esmerarte/ Atresmusica/ Universal Music Spain
Somewhere in the middle of the first track of "Love, Scum & Dust" I was like: 'Holy fuck, how come I have never heard of them before? They’re so cool!'

7. Yo, Estratosferico «Limbo»
(p)self-released
The struggling band that deserves more attention than it's got now. The creators of the last decade's most underrated great song ("?motin?") have got another bunch of great songs to be proud of.

6. Capsula «Bestiarium»
(p)Gaztelupeko Hotsak/ Vicious Circle/ Dynamo Tapes
Their strongest release since "Solar Secrets", as simple as it gets.

5. Sunday German Flowers «2019»
(p)Discos Delejos
Put your headphones on and float away from your daily grind with this beautiful and stylistically undefinable record.

4. Chavalan «Un Aire Visible»
(p)Mascarpone Discos
The great successor of now-defunct Betunizer. From my point of view it's even better than "Gran Veta', the generally recognized apex of Betunizer’s career.

3. Los Punsetes «Aniquilacion»
(p)Mushroom Pillow
Without a doubt the most cohesive album of the renowned band. It seemed to me like something was always missing on their previous releases. They were always quite good with the emphasis on ‘quite’. Now all the parts of the puzzle are on their right places finally.

2. Holywater «Arboreal»
(p)Ernie
Take any cool southern rock-meets-grunge record (Dead Confederate's "Sugar" first came to my mind), replace the electric guitars with the acoustic ones and then clean the sound off to kill that druggy fog - and you'll get the idea of what "Arboreal" sounds like.

1. Yawners «Just Calm Down»
(p)La Castanya
For the most part of the year it was all pretty clear about the number one. Not only the best album but also the best song ("La Escalera").







среда, 16 января 2019 г.

Monkey Week 2018 - 10th Anniversary. 24.11.2018

23.11.2018 >>>

The next morning I woke up at 9 am having three hours of sleep only. Surprisingly, I felt myself alive enough to come out immediately as I had an urge to visit the record shops of Sevilla. As I travelled without any luggage except for a backpack it could be a major problem for me if I had purchased some vinyls but it appeared that the record shops I visited were specializing on second hand records having little of the most recent releases. The only records I'd like to purchase were La Estrella De David's "Consagracion" and Basanta's "Colorama" but finally I decided to avoid the possible transportation issues.
Despite my nondirectional territorial fluctuations I was just in time at Ron Contrabando stage (Alameda de Hercules square) to catch the very beginning of the Radio3 La Batalla de las Bandas hosted by one of the most famous Radio3 anchors Angel Carmona. The time limits were the same as for yesterday's mini showcases (also MC'ed by Angel): 6 minutes for the whole round of 'come out - plug in - play a single song - walk away'. The event started with the performance of the new local heroes Derby Motoreta's Burrito Cachimba that obviously represented the [arguably] the main contemporary trend of rock music: the 70's revival. The band that exploited the completely different direction - my new friends San Jeronimo - replaced the Sevillian six-piece onstage. Then I managed to see two more bands: the Foehn Records' residents Alien Tango, and the cock-rock combo Los Jaguares De La Bahia. Then I escaped the event to come to the opposite side of the Alameda de Hercules for Yawners. This was one of my best decisions because this metropolitan girl/boy quasi-punk duo was enormously great. I can't explain what was that decisive element of their show that made me surrender and convert myself into a devoted fan. But this was such the pleasure to see this band in action.
According to the schedule, the OffMonkey session was the next event I should attend right after Yawners. This one was organized by my friends from WeAreWolves Records to showcase the bands of the roster: the dj sessions by Pumuky and I Am Dive and two full-fledged performances by Kindata and San Jeronimo. This event should be started at 2 pm inside the Hops & Dreams gastro bar but when I came to the place only three persons were there. I was quite embarassed as I tried to consult a barman but he didn't understand me. So a guy who revealed to be Berni from Kindata came to me trying to resolve the problem. We quickly got in contact, and then I introduced myself to Tero, the second half of Kindata. This band was my biggest discovery of the year so I was completely happy to see them live and to talk to them within a month from the moment I had learned of their mere existence.
Little by little the venue got full of people. I got in touch with a man named Fran who revealed to be a photographer and a friend of Jose A. Perez. We sat together and discussed our further plans and past experiences of Monkey Week 2018. Moreover, Berni introduced me to the guys of Palo Alto who were nice and welcoming as well. In the meantime the bands started playing. San Jeronimo were the first to play, and then Kindata stepped in. These bands were the pure delight - both musically and personally.
The actuation of Da Souza at the nearby Mangaroca stage drove me away from Hops & Dreams. This Mallorcan band released the new album "Futbol D'Avantguarda" (p)Famelic that appeared to be kind of indie sensation, and I liked it as many others did so it was no way to avoid visiting their performance. It was a bit spoiled by the rain. The band played inside the tent but I beheld it getting soaked with the raindrops. Anyway it was quite low price for making it possible. Good music always defeats the rain.
By the way, at the entrance of Santa Clara I met Joan and Natalia of Saim. I approached them and expressed my respect, we talked a bit and they gave me a t-shirt as a gift. Moltes gracies!  
Then I made a short run to Jagermeister. Puma Pumku already started playing there. Like Yawners before the Galician neo-psych combo demonstrated the ability to win over the unprepared observer from the very first glance. I wasn’t totally unprepared as I used to listen to their first album for quite a while – but I never caught them before and had no idea how could they sound live. They quickly made me realize that coming up there I did just fine. This band is great, don’t miss the opportunity to see them.
Uniforms are only going to be great. The nugaze starlets just released their debut ("Polara" (p)Oso Polita) and managed to gather a considerable crowd inside Fun Club. Thus I was forced to stand behind the pillar and could see a little. Anyway, their performance wasn't perfect but their potential was obvious.
The populous and stylistically omnivore rock collective Los Jaguares De La Bahia spearheaded by the one of the most renowned indie rock producers of Spain performed at Ron Contrabando. I saw Paco Loco onstage once when he performed with Australian Blonde, but as a frontman he was even more... ummm, impressive. Shamelessly unleashed, he was like an uncontrolled beast there upon the stage. Despite his anti-star appearance, I think, he made every photographer there loaded with the whole lot of ‘rock star pose and gestures’ photos.
The Donostarrian indie rockers Pet Fennec sounded good performing in the open air (I witnessed it at Sonorama) but now within the limited space of Fun Club they sounded really massive. I placed myself in front of the bass monitor and every beat and every low note made my insides tremble. As I spent most of their time limit at Los Jaguares I caught only three songs. It was not enough - but what could I do.
Regarding the all-female garage band Melenas from Pamplona I'd like to say the following: I can’t call myself a fan of garage rock, but the girls do their thing with palpable honesty. It shouldn’t be omitted despite the fact is the listener a fan of the genre or not.
I liked the second album of the Galician art punks Travesti Afgano so they were in my own schedule from that very first moment I saw the #mokeyweek10 line up. They performed at gay bar Itaca - the southernmost location of the festival. Live the band positioned themselves as stylistically and behaviorally unpredictable act that could easily interact with public whilst changing the genres three times within a song. One of the irrefutable wins of the festival that, unfortunately, was sparsely attended.
Then I headed to La Calle rock club for the Canarias Crea/ Keroxen showcase. When I passed along Teatro Alameda I witnessed a queue that splashed out from the entrance and flew around the corner.
I walked along the queue guessing who the hell might gather such the crowd. In the middle of the queue I met Fran who explained me that all these people were there for Pony Bravo. This band had created a considerable cult following during the years of activity so the audience welcomed their first performance in years with huge enthusiasm.
Nevertheless, I came further to the club. It could be nice to see Pony Bravo but the prospect of losing some amount of time in passing through this queue was up to kill the possible perks of seeing one of the scene-defining bands in action.
Saletile, the experimental rock duo from Tenerife, opened the Canary Islands night at La Calle. The schedule was cruel for them as their slot coincided with Pony Bravo’s. On the other hand, Saletile’s music is not for everybody and the focus groups of the bands were hardly coincident. For me, I enjoyed their set of long instrumental passages and digital noise drones a lot.
I’m not going to spread much words about those two bands that followed Saletile onstage. What could I say… Pumuky and GAF Y La Estrella De La Muerte, my favorite band and the best live act of the scene respectively, that’s exactly how I'd like to label them. I feel some kind of personal connections to both of the bands. I can’t judge them with due objectivity so I should pull them off the scale. For me it’s like, you know, there are Messi and Ronaldo – and there are the real people.
Unfortunately, the actuation of GAF was my final concert of the festival. The bell rang for me. I wasn’t happy to say goodbyes to all the people that accompanied me through the Monkey Week 2018 but the Ryanair’s flight schedule forced me to do so.
Then I walked outside and then lost the next 23 hours of my life in taxi cabs, aircrafts, stopovers and trains.

суббота, 1 декабря 2018 г.

Monkey Week 2018 - 10th Anniversary. The Summary


Just some info in brief.
My average “go/not go” decision-making term for travels is 6 months.
The decision-making term for this particular trip was less than 5 days. Even while sitting in Cologne airport stopover I was under threath of coming back.
The whole 4 days of the travel. 
The whole 2 days of the Monkey Week 2018 festival.
This was an adventure ad-lib, the most unprepared trip in my life.
My first visit to Seville, my first visit to Andalusia.
70 km passed on feet.
40 bands seen onstage. 
The new encounters. The re-encounters with the old pals. 
The new bands to follow.
Estrella Galicia under the rain. Lots of Estrella Galicia under the rain.
These were the happiest of days.
I felt like every person I run into was a musician.
I was happy to see Saim, Da Souza, Travesti Afgano, Bifannah and Exnovios live. I expected them to be great onstage – and they were truly amazing.
I was happy to get soaked into the magic sounds of Dreyma, Terry vs Tori, Kindata and Saletile.
I was happy to discover and immediately fall for Yawners and Puma Pumku (regarding the latter – I liked their “Is It In You?” LP alot but they spent plenty of time quite quiet since, and I had no idea on what they were up to now).
San Jeronimo, my greatest live discovery of the fest both musically and personally.
And, last but not least. Pumuky and GAF Y La Estrella De La Muerte. "One of my favourite bands and one the best live acts of the scene" - I can apply this phrase to both of them. The only reason for you to avoid visiting their shows in your town is death. No kidding, I saw the persons amongst the audience who cried after their sets. 
And I was crying after their sets too.

During these two over-saturated days I’ve seen live the following.

Full Concerts:
Mini Showcases (Friday 23, DITTO)
Saim (Friday 23, Mangaroca)
Pumuky (Friday 23, DITTO)
GAF (Friday 23, DITTO)
San Jeronimo (Friday 23, Mangaroca)
Cor Blanc (Friday 23, Studio 74)
Exnovios (Friday 23, Sala X)
Yawners (Saturday 24, Jagermeister)
San Jeronimo (Saturday 24, Hops & Dreams – OffMonkey)
Kindata (Saturday 24, Hops & Dreams – OffMonkey)
Melenas (Saturday 24, Vinilo Rock Club)
Travesti Afgano (Saturday 24, Itaca)
Saletile (Saturday 24, Sala La Calle – Fiesta Keroxen)
Pumuky (Saturday 24, Sala La Calle – Fiesta Keroxen)
GAF Y La Estrella De La Muerte (Saturday 24, Sala La Calle – Fiesta Keroxen)

Partially Seen:
Baiuca (Friday 23, Jagermeister)
Dreyma (Friday 23, DITTO)
Biznaga (Friday 23, Teatro Alameda)
Terry vs Tori (Friday 23, Sala Even)
Bifannah (Friday 23, Sala Even)
Da Souza (Saturday 24, DITTO)
Puma Pumku (Saturday 24, Jagermeister)
Uniforms (Saturday 24, Fun Club)
Los Jaguares De La Bahia (Saturday 24, Ron Contrabando)

Seen Only Episodically:
El Imperio Del Perro (Friday 23, Ron Contrabando)
Las Yumbenas (Saturday 23, Mangaroca)
Baywaves (Friday 23, Sala X)
RADIO3 La Guerra De Las Bandas (Saturday 24, Ron Contrabando)
Los Estanques (Saturday 24, Ron Contrabando)
Dani Llamas (Saturday 24, Ron Contrabando)
Pet Fennec (Saturday 24, Fun Club)

Planned But Not Seen:
Alien Tango, Futuro Terror, Vulk, Joan Colomo, Aliment