#24. Muy Fellini "Muy Fellini" (p)2009 BCore Disc/Underhill Records
When Navarra post-hardcore outfit Half Foot Outside called it quits within a year and a half after their best effort "Heavenly" was out, it was not a big surprise that all the band members (at that moment pretty disjointed geofraphically) had the projects on their own. Now teamed up with the singer/guitarist Juan Maravi (of the band Sök fame), the ex-Half Foot Outside drummer Edu Ugarte started the new band called Muy Fellini. Long gone were the 'start/stop' and 'loud guitars/intimate vocals' stylistical approaches of HFO - the duo's debut album delivered to the listeners more stripped-down and rather acoustic folk rock. The first song "La Decepcion" sounds habitual for the burgeoning (if not saying 'oversaturated') americana scene with the melody you might expect from the international pop stars Travis. But while it was chosen to represent "Muy Fellini" with a video, it doesn't speak much about the album as a whole - the rest is full of great songs but not pure pop hits. The average lenght of the songs here is 5 minutes, so they have enough time to blossom with unexpected twists and turns. Juan Maravi easily switches from acoustic guitar strumming to powerful feedback wizardry, and his warmful voice adds depth to the picture, while Edu Ugarte's tight drumming never tries to dominate the sound pallette but constructs the system of coordinates in which these songs exist. Wonderful.
The best tracks: Dificil Claridad, Un Nuevo Amanecer, La Decepcion, Paris
When Navarra post-hardcore outfit Half Foot Outside called it quits within a year and a half after their best effort "Heavenly" was out, it was not a big surprise that all the band members (at that moment pretty disjointed geofraphically) had the projects on their own. Now teamed up with the singer/guitarist Juan Maravi (of the band Sök fame), the ex-Half Foot Outside drummer Edu Ugarte started the new band called Muy Fellini. Long gone were the 'start/stop' and 'loud guitars/intimate vocals' stylistical approaches of HFO - the duo's debut album delivered to the listeners more stripped-down and rather acoustic folk rock. The first song "La Decepcion" sounds habitual for the burgeoning (if not saying 'oversaturated') americana scene with the melody you might expect from the international pop stars Travis. But while it was chosen to represent "Muy Fellini" with a video, it doesn't speak much about the album as a whole - the rest is full of great songs but not pure pop hits. The average lenght of the songs here is 5 minutes, so they have enough time to blossom with unexpected twists and turns. Juan Maravi easily switches from acoustic guitar strumming to powerful feedback wizardry, and his warmful voice adds depth to the picture, while Edu Ugarte's tight drumming never tries to dominate the sound pallette but constructs the system of coordinates in which these songs exist. Wonderful.
The best tracks: Dificil Claridad, Un Nuevo Amanecer, La Decepcion, Paris
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