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четверг, 21 августа 2014 г.

#SonoramaRibera2014. The Report. Day 3, 15.08.2014. Minutes of glory


The program of the third day should start again on Plaza del Trigo with the set of The Handicaps. We saw The Handicaps last year on Red Bull Tour Bus and they caught our attention by their energy, good pack of melodies and unconventional use of stage railings and mic stands as the tools to play their guitars. So The Handicaps were 'must see' for us.
The Handicaps
Their set was as energetic and melodic as it had been a year ago, and we were standing right before the stage at its middle, but for us the performance was a bit spoiled by the fact that we hardly could hear the vocals (I suppose that the stage monitors were tuned this way to provide the far-standing persons with the wall of sound cos it seemed like for those behind us everything was OK). In terms of stage presence The Handicaps rocked as hell. Would like to see them again.
They were folowed by the four-piece Perro - the band from Murcia who play loud rock that has strong ties to hardcore but is not hardcore itself. Their uncommon feature is doubled drum section - yes, with two drummers. Additionally, the guitarist and the bass players shared the vocal duties and switched their instruments. We moved to the left (for us) corner of Plaza del Trigo to hide from the scorching sunlight - and there vocals were OK. Perro were bold, cocky and perky. The people on Plaza raved for them.
Perro
The next band were Correos, another alternative rock band. I was not familiar with them at all, never heard anything of them before. But they were equally cool, loud and melodic. One more band to follow or even to fall for.
Correos
After their set we met again with Javier Ajenjo. And what followed next almost drove me absolutely mad. Javier took me onstage right in front of the crowd and then introduced me to all of the people there, to all of these happy faces on the square and nearby streets. it was only for 30 seconds max but it was definitely the most heartwrenching moment of my life. The crowd even chanted my name! I'm a shy person but it was fantastic. If it was unbelievable for me to met a person who knows about the mere existence of my blog, or to hug with the fest director/musician from the band that I adore - then what was THIS? It was... I don't know. Maybe if I'm dying at 70 there wouldn't be any comparable moment for the rest of my life (unfortunately, I can't find any foto documenting this moment).
And after that the 'secret show' of Ninos Mutantes started. Plaza del Trigo stage is famous for such the surprises. Last year there was the secret show of Supersubmarina where the band played their own songs but finished them with somebody else's tunes. Now Ninos Mutantes made a set of covers that included Pixies, Depeche Mode and, again, Raphael's "Como Yo Te Amo". The only song of their own was "Errante".We were standing backstage 10 feet behind the musicians so I didn't dare to shout out the words of "Where Is My Mind" or "Errante" staying so close.
Ninos Mutantes from backstage

The opening act of the evening/night set were The Three Generations. I'd been listening to their album "Pillage" pretty regularly a couple of years ago. Live they were driving and cohesive but we left them in favor of Jack Knife. We missed this band last year on Plaza del Trigo - and as far as I knew from the reports and chronicles they set the Plaza on fire. So I would like to see them on much larger venue. And I'd rather consider this a loss. No, the band was OK - but Ribera stage seemed too large for them, and the audience seemed not to be so numerous. On the closed space of Plaza del Trigo surrounded by buildings the sound is more narrowly directed than on wide area of recinto ferial, and the spectators are so close one to another that they can almost strike the sparks by the collisions of their bodies. Maybe now they gathered the same amount of people - but here before the main stage it seemed like the lack of people.
The Three Generations
Jack Knife
Later we went to Castilla stage to see El Hombre Gancho. Before Sonorama I've checked them on youtube and found them good enough to go and see them. I made no mistake - El Hombre Gancho were fine. The band members looked like the old school latino-rockers but their music had nothing in common with old school latino-rock.
El Hombre Gancho
We stayed with them for 6 or 7 songs and we'd like to stay more but we should leave to win ourselves a better place before Ribera to see Second. Second are on tour with the last year's album "Montana Rusa", and now they're touring with the tiny classic orchestra. The participation of the orchestra is limited, it does not prevail on sound but makes the songs more colourful and bright. Second were in the perfect form. The band did not concentrate on the songs from "Montana Rusa" and played almost all the best songs from the last three albums. Overall, it was an astonishing show. "No, THAT was the best concert in my life", said I when it was over.
Second with the orchestra


After Second we came to VIP zone to drink wine and stayed there for awhile listening to DePedro from afar.

The whole show of Amaral we were watching from 'zona privado' of the VIP zone. Eva Amaral is another controversial person of this edition of Sonorama. She was one of the first headliners penned for the fest, and it was met with mixed reaction from fans due to Amaral and her band are on the far pop wing of Spanish rock music. Despite this fact she has good connections within the indie world, and her performance was much lauded anyway.
Amaral
If the performance of Leon Benavente that we say a year ago was absolutely outrageous, the new one seemed to be more controlled. All this year me and Tanya were listening to Leon Benavente's releases (self-titled LP and EP "Todos Contra Todos") so their set took no surprises for us in itself. But every performance of the band is a must by default - so great they are.
Leon Benavente
On the song "Ser Brigada" we started to break out of the crowd to run for Izal, but there was no place to run because another crowd was already there. We stuck somewhere in the middle without clean perspective to get closer to Tanya's favourite band. It was the first time for us when we could not manage to get to the security bars right at the stage - the good planning did not work well when the target shows were going back to back.
Mikel was bright and spectacular as always. We knew all the songs by heart and were just dancing and shouting the lyrics in the air. Needless to say that we were absolutely happy.
Izal from afar
At 2 a.m. we started to pave our way back home but before we walked away we listened to a couple of songs by Reptile Youth. It was enough to consider Reptile Youth not our piece of pie.

Summarizing the emotions, it was a great day for us. The greatest day. But it could be even better if we would attend the set of Cosmen Adelaida that was impossible due to coincidence with Izal.

среда, 8 января 2014 г.

Los recuerdos de Sonorama 2013


Just spent some time editing the [mostly poor quality] photos I've made with my mobile phone till Sonorama fest in August.

Sin Rumbo:

Cyan:

Igloo:

Leon Benavente:

Pumuky:



Havalina:

Stay:

Xoel Lopez & his band:


The New Raemon & Maga:

Mi Pequena Radio:

Garamendi:

Dorian:


вторник, 3 декабря 2013 г.

The Best Of 2013. Album #1

01. Leon Benavente "Leon Benavente" (p) Marxophone


Abraham Boba is a busy man. Formerly emerging as the member of Nacho Vegas' studio and touring team, later he became the anticipated session musician appearing on the albums by Julio De La Rosa, Pumuky, and tons of others as well as having three successful solo releases on Limbo Starr label. Now teamed up with old pal Luis Rodriguez (also of Nacho Vegas' team fame) on guitar along with Eduardo Baos from Tachenko (bass) and Cesar Verdu from Schwarz (drums) he started a new band (himself focusing on his 'Farfisa' and singing duties). Though this project hardly contradicts all what these well-trained men did before, but also it hardly coincides fully with their previous experiences, and the sound of their debut disc has little in common with Nacho Vegas or Tachenko. Loosely based on Joy Division-inspired branch of gloomy post-punk so many times reinterpreted by myriads of bands worldwide, the music on "Leon Benavente" is nevertheless deeper, smarter, and more emotionally charged (especially in the songs "La Palabra" or "Ser Brigada" with the inner tension escalated to the point where it could produce the spontaneous combustion) than the most of contemporaries. And the voice of Boba - warm but pretty detached - sticks all the parts together creating such the well-balanced and inward-looking state in you that you easily fall into to never come back. Until the music stops.




вторник, 3 сентября 2013 г.

Sonorama Ribera 2013. The Report. Day 2, 16.08.2013. Travelling and running - Part 1


As long as we came here only for 4 days we needed some time to spend it for travelling around and sightseeing. The 2nd day of Sonorama perfectly fit for this intention because all the important bands were gathered in what I called 'the main unit' giving us half a day free of duties. So we travelled to Valladolid and spent a couple of hours walking the streets of the town, and on the way back we made another one hour-long stop in Penafiel town, a home to such famous bodegas as Protos and Arzuaga, amongst others.

Valladolid

Penafiel

The day 2 schedule was as follows:

Plaza del Trigo: Banda de Turistas, Tuya, Jack Knife.

Red Bull: Dune, Sick Devils, Sharon Bates, The Panteras.
Carson Camping: El Capitan Elefante, Plank, Wolrus.
FutureStars: Mummuc, The Chinese Birdwatchers, Alis, Dehra Dun, Pantones, Egon Soda, The Tea Servants, Pumuky, Perro, Capsula.
Castilla y Leon: Tokio Sex Destruction, Leon Benavente, The Corner, Delafe y las Flores Azules, Miss Caffeina.
Ribera del Duero: Cyan, Jero Romero, Travis, Lori Meyers, Dorian.



The marathon should start for us from the show of Cyan, then Leon Benavente, then back to Ribera stage for Jero Romero, then short timeout, then Travis, then Delafe y las Flores Azules, then another run to FutureStars for my personal favourites Pumuky, while the successive shows of Miss Caffeina and Dorian long after midnight should celebrate the end of our day. That was an intention.



So the marafon had started from mercadillo. As long as I'm not the mp3-pirate anymore I'm always in the state of the rage searching for new CDs (and thank you God for not making me a vinyl die-hard) so I couldn't just walk through and then away. 70 Euros ago we came to Cyan show with 3 CDs and 3 t-shirts more.



"Delapso", the 3rd album of Cyan, made some kind of a splash in Spanish rock community this year, taking the band from relative obscurity into relative recognition. While Cyan is on the same plate with Sin Rumbo in terms of musical progress, the presence on the much bigger venue (possibly due to the contract with BMG) did not spoiled their show. The band looked potent and viable though the audience they played for was not so large. We missed the start of the show but when we came we easily approached the security bars before the scene and then were standing, jumping and dancing in front of the bandleaders Javi Fernandez and Gorka Dresbaj carrying out their performance duties.

Cyan

The next point of interest for us was the show of the new sensational supergroup Leon Benavente gathered around the person of Abraham Boba, renowned multi-instrumentalist of the Nacho Vegas supporting band's fame. The band recorded and issued an album in 2013 but one might face some hardships in trying to listen to the recorded material still the album is not on sale and only the single "Animo, Valiente" is available as of now (UPDATE: the album is up for free download from Marxophone label site - you should only subscribe for newsletter).
As far as the music of Leon Benavente is strict and cohesive in studio (as we might know from the only possible source - aforementioned "Animo, Valiente") so it is absolutely outrageous onstage. The show was fully centered at Abraham Boba whether he was sitting with his 'Farfisa' on the very right side of the stage or standing with the guitar in front of the crowd. His behaviour could be described as explosive - with occasional tribal jumps, gutar smashes, chair kicks and finally something that seemed like having sex with 'teclados' - all accompamnied with the loud thunder-like but tight music. And I could not imagine the members of Tachenko and Nacho Vegas' band could produce the music that would be absolutely out of their previous bands' system of coordinates! This was the shock, and it definitely was the positive shock.

Leon Benavente

The next show we have watched from afar as long as Jero Romero had already started performing when we came from Castilla y Leon stage to Ribera del Duero.
Jero Romero is the ex-vocalist of The Sunday Drivers, the band from Toledo who gained some internetional attention in the middle of 2000s with their brit-oriented indie rock sung in English. Now he is accompanied with the string of musicians including, for instance, Charlie Bautista, ex-member of Havalina who also have worked with Tulsa, Christina Rosenvinge, Nino y Pistola amongst others during last few years. Jero Romero's music is now far from the britpop euro-rock and based on the folk rock including the touches of blues and other related genres. And while the music itself was not our kind of pie, they played it so soulfully that we stuck in there for some time.

The crowd for Jero Romero