Sonorama 2018. Day 3

Days 1-2

Friday, 10th

By the morning before walking to Castilla Y Leon (Santa Catalina) stage for Nat Simons we made a brief stop at our favourite Plaza la Sal’s Heineken stage where Duque were performing at the time. The band looked a bit elder being compared to average Heineken stage residents but was alive, kicking and undeniably pleasant. 

Nat Simons’ music is quite close to that of Joana Serrat but Nat managed to perform her program with much more diversity. She interchanged fast rock and roll songs with slower ones and did a couple of cover versions as well. I never thought I would dance to a Tom Petty song one day but she made me to do so.

Then we returned to the old town of Aranda to see the way louder Basque band Kometa. We never heard a single song of them before, but it quickly became apparent that we should count +1 up to our list of discoveries.

After we took a break to have ourselves a cup of cold white wine at Plaza Mayor we came again to Santa Catalina place just in time to see Pet Fennec but the band onstage apparently was not Pet Fennec. The fast glance at Sonorama app (by the way, this year this app was really useful) – hey, that’s Jorge Marazu! Somehow the schedule was shifted pushing Jorge Marazu and Pet Fennec to perform later than it was planned initially.

Pet Fennec. This was the performance no one really attended to. Right after Jorge Marazu finalized his set the spectators started slipping away, so at the moment the band began to play there was literally no one before the stage. Only a dozen of persons were hiding their bodies into the thin strip of shadow at the far right side of the stage. We stepped into the shadow as well but quickly came off thinking: ‘What the fuck? If we are going to be the only ones to support the cool band why can’t we keep staying in the sun?” Pet Fennec were really cool. I liked their album, and their live performance made me like them even more.

Due to the aforementioned schedule shift along with our subsequent visit to a restaurant* (being invited by Javier Ajenjo) our spare time between ‘morning’ and ’night’ sections was diminished so we were late to attend the Angel Stanich gig at the main stage Ribera del Duero. However, we came in time to catch the very beginning of Luis Alberto Segura’s show.

L.A. was amazing as always. He’s got a lot of great tunes spread over his last 4 albums starting from “Heavenly Hell” (as he never plays the songs from three albums independently released prior to his breakthrough record) so he could play three hours in a row without losing the certain level of quality.

Right after L.A. covered up Nada Surf began to play on the main stage. This was the special moment for me. I was stunned as Nada Surf were my all-time favs and I could proclaim myself being a fan since I first listened to “Inside Of Love” back in 2003. I sang along and shouted out to every song with the tears in my eyes almost breaking my voice…

As the magic couldn’t have been prolonged beyond the timing of the standard festival set we were forced to find us new entertainment, and we found it in El Ultimo Vecino. I always thought El Ultimo Vecino was an one-man synth-driven project but it appeared to be the full band. Moreover, the band spearheaded by Gerard Alegre Doria behaved like if they ain’t no strangers to the indie rock vocabulary. 

Regarding La Plata, I expected more, to put it frankly. All the songs of their set explored the same sound and almost the same dynamics.

New Day have blown me away, and I went completely mad. That was pretty strange as I don’t like their debut album that much to go nuts, but onstage Amparo Llanos and her tiny band sounded ferocious. Their songs being performed live managed to express much more energy and melody. Not all of their songs were perfect but the most of them knocked me off.

* In the restaurant we were seated next table to a company of four. One of them was Eric Jimenez, the drummer of Lagartija Nick and Los Planetas. He was so friendly and gave off such great charisma that I can only admit we've never met a person like him before.

Day 4

Tu Aura Brilla Mas: Let Go/ Nada Surf 15 Aniversario

Tu Aura Brilla Mas: Let Go/ Nada Surf 15 Aniversario (p)2018 Mardev/ Ernie

I’ve been the massive fan of Nada Surf since 2003 when I first observed video of “Inside Of Love” aired by the [best ever] German music channel onyx.tv. This video made me searching for the band’s records, and the first album I purchased the same year it was “Proximity Effect”. I quickly embraced their lyrical imagery and subdued bittersweet undertones that led them to stand tall amongst the short list of my all-time favorite bands. I consider “Lucky” their best effort to date as it includes the set of songs I can personally relate to both melody-wise and lyric-wise the best way possible. However, it was 2003’s “Let Go” that brought them out of the gloomy grunge-obsessed subterranean dungeons of the 90’s right into the bright light streak of the post-millennial indie rock. While their second album (the aforementioned "Proximity Effort") was declined by their label Electra it was released first in Europe. Following this the band was dropped by Electra. With two albums and one massive hit ("Popular") in the back catalogue Nada Surf were set to replicate the fate of zillion of the 90's bands that silently fell into obscurity. But the new album ("Let Go"), new hit ("Inside Of Love"), new label (the Seattle-based indie imprint Barsuk Records) and the new direction (less grunge more power pop) led them into the indie stardom in 2000's.

The band gained the substantial cult following in Europe (especially in non-English speaking countries) thanks to the lengthy tours through the Old World and both Matthew Caws’ and Daniel Lorca’s multilingual abilities. Moreover, they are really concerned of what’s going on with music in Europe. I deeply appreciate this last year's story about Nada Surf members appearing on Ebrovision festival a day before the schedule just to check out Rufus T. Firefly performing, of whom they were told it would be worth it to look at. Their European record-selling headquarters is based in Spain (the Galician finest Ernie Producciones) but anyway I was kinda surprised to know that Nada Surf were going to release the collection of cover versions made by a bunch of Spanish indie bands.

Digitally it was released over a month ago and recently it was released officially on CD. So what could I say… It is definitely one of the best cover albums I have ever listened to. What makes a great cover version great? For me, it’s when a certain band takes someone else’s song and rewrites it into their own the way you could place it into the band’s album and it wouldn’t be sounding as an alien. Thus, the final result takes the best from both summing up the original's best features and the cover maker’s own tricks. Regarding the most of the tracks here, this criterium is fulfilled completely.

For the better authenticity 8 of total 12 songs were translated into Spanish. Even for me as a person largely familiar with the original album sometimes it’s hard to separate what I know from what I hear because, for instance, “No Es Tan Rapido” sounds nothing like Nada Surf’s song – it sounds exactly like a song by Second, as well as “Nubes De Mosquitos” sound exactly like Lori Meyers’ own. The same thing I could repeat for almost every track and every band on the album be it Niños Mutantes with their newfound synth-laden sound on "Blizzard Of 77/ La Tormenta Del'77" or La Habitacion Roja with their classic post-"Ayer" warm pop-psychedelia on "Inside Of Love/ Dentro Del Amor". Be it the lush guitar-driven pop of Anni B Sweet ("La Pour Ca/ Estare Ahi") or slightly fuzzed out alternative rock of Shinova (the Basque band stepped back to the sound of their pre-"Volver" albums to make this version of "Treading Water"). Be it Villanueva's delicate rendition of "Hi-Speed Soul/ Hablemos De Soul" or the Noise Box's version of "Happy Kid" that turns the original power pop hit into the 6 minute long psychedelic pop masterpiece.

I think it’s really great achievement.

SPTF

ERNIE