Best of 2017. Albums 1-10

Finally, this is the closing part of the list. Enjoy it!

<<< 41 - 50
<<< 31 - 40
<<< 21 - 30
<<< 11 - 20
<<< Top10 EPs & mini albums
<<< Honorable Mention

10. Igloo "Aquellos Maravillosos Danos" (p)La Alianza Rebelde/ Ernie Producciones

The long-awaited successor of "04. El Conjunto Vacio" presents the band in the best form since the brilliant "La Transicion De Fase". The production is crisp, the melodies are sharp, and Beni's voice is powerful and velvety as ever. There are moments on the album where Igloo clearly go pop - but if this band goes pop without a doubt this is the best guitar-drenched pop possible.

SPTF

09. Os Bru "Hvala" (p)The Indian Runners

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08. Bifannah "Maresia" (p)The John Colby Sect

"Maresia" is like the magic seaside wind that whirls the synth-driven indie pop into the power pop melodicism and upbeat rhythms. It filters into your system and just makes your day brighter. Up to this moment I know nothing about the band, so this short review is just a reflexion of the emotions I get while listening to this album.

BNDCMP

07. Detergente Liquido "Mirad Lo Que Me Habeis Hecho Hacer. Por Favor" (p)self-released

The definitive indie pop record made by the members of the same community responsible for the intelligent noise pop of Homeless and mellow psychedelia of The Magic Mor - so expect a lot of sonic surprises all over here along with the pack of perfect songs.

BNDCMP

06. Havoc "Amado Lider" (p)Subterfuge

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05. Disciplina Atlantico "Gran Oriente" (p)Limbo Starr

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04. Mazoni "Carn, Os I Tot Inclos" (p)Bankrobber

You don't know yet what album is on the top of this list - and I tell you there's something you could hardly predict. But what really shook me to the core is this album by Mazoni purchased solely as a companion to some items I've bought via the Bankrobber website - I noticed the name and thought something like 'Hey, they performed at Ultra-Local so it's gonna be cool!' And it appeared to be way better than cool. Jaume Pla manages to create magic with only his voice and his guitar. That shows us the simpliest of the facts: if you have a great song you don't need much to make it work.

BNDCMP

03. Tuya "A War Is Coming" (p)El Rayo Verde

The new album of David T. Ginzo's projrect Tuya is the fine piece of electronica-fueled psychedelia - some drastic change for the band whose previous album sounded rather like an almanac of post-Guided By Voices lo-fi sketches. "A War Is Coming" is undoubtedly an ears delight as for those who prefer the precise sound sculpturing over the singalong simplicity as for their tastewise opposites, as Tuya's sonic experimentations never domineer over Her Majesty The Song.

BNDCMP

02. Rufus T. Firefly "Magnolia" (p)Lago Naranja

Full review

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01. Pau Vallve "Abisme Cavall Hivern Primavera I Tornar" (p)self-released

What I would like to tell you now is something like: "Since I was listening to this album for the first time there was no subject to concern what album would top the annual poll", but it's nothing like that. The truth is that for the last couple of months I constantly changed the places of these three albums within the top 3. These are the tremendous records but finally I came to conclusion that Pau Vallve's double album is the best of them. This Opus Magnum contains different emotions as well as different styles (indie pop, noise rock, psychedelia, urban folk, singer-songwriter in the vein of Josh Rouse, singer-songwriter in the vein of Elliott Smith's "Figure 8" or "From A Basement On The Hill", etc.) You may listen to these songs at morning or at night, in any state of mind, in any mood, when it's raining or in a sunny day, while driving or preparing yourself to sleep - and there always is a song that matches the moment.

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Escena Catalana: Ran Ran Ran, Os Bru, Karabash

For a narrow-minded person like me it’s tough to have a finger on pulse all the way. I feel like I’ve crossed that line where you look at your CD collection or into the folder with your mp3 collection – and you really know who every given band from this collection is, when you purchased/downloaded the album, and for what reason. No, that’s completely not my story. And if the collection of CDs is more or less still under my control (though I do own some CDs I don’t understand how and when they got into), the pool of mp3’s is not. I guess, two thirds of the band names look absolutely unfamiliar to me. And the situation goes deeper down the spiral cos I’m always trying to get in touch with what goes on and to find more bands to follow. This leads to the unstoppable flow of the names my mind tries to navigate through, and there are always something like 30+ albums stored in the facebook ‘Saved’ section and 20+ tabs of bandcamp pages, soundclouds and anything like that opened in Google Chrome. To streamline the aforementioned I listen to a couple of tracks of the bands that are new to me and if I find it crap (read: rap, mainstream pop or, say, Meneo) – I delete the page. If there’s an infinitesimal probability it could attract me – I save the page or purchase the album via iTunes. Then the new bands or albums come in place of those deleted. So this process is kinda cyclic. And while I’m alive I never seem to break the cycle. The worst thing about it – some names are getting forgotten. I mean, a lot of names. Quite frequently I listen to a band, then go to iTunes and see this album marked as already purchased. I always feel bad about it cos it's wrong when you forget something that really moves you. The best thing about it – I am always on the verge of finding something great. A totally unknown band, an awfully underappreciated album, a painstakingly overlooked track… There’s always a possibility of a miracle. Fact one: all three featured albums are of this kind.

Os Bru "Hvala" (p)2017 Indian Runners
The cover of “Hvala” presents the tail-rich feline animal that jumps over the tiny figure of the human being on the blue field. The music that hides itself behind this minimalistic cover incorporates precisely measured mixture of chamber pop and slowcore with the lush orchestrations sometimes climbing at the post-rock’y heights of grandeur. This music manages to create such the palpable elation you’d barely expect from a tiny band. It rushes and flows upon you making you shiver and covering your body with goosebumps all over.
BANDCAMP

Ran Ran Ran "L'Hereu" (p)2017 Bankrobber
The duo that consists of local scene mainstays Ferran Baucells and Jordi Farreras – delivers more stripped-down music that is both legs in folk and indie pop. Not being the rarest blend of genres – especially for las tierras catalanas – in case of Ran Ran Ran it spatters some new colours to the well-known painting. It is coloured and flavoured with guitar noise (occasionally) and elegant electronica (almost everywhere) without stepping into the circle of the samey folktronica bands. While not impressing me much at the first listen "L'Hereu" has shown the great results in growing on me later.
BANDCAMP

Karabash "D'Humans I Essers" (p)self-released
If Ran Ran Ran’s acoustic core is tinged with the additional noises (both analog and digital) to create some magic around, the members of Karabash deny the supplementary attachments almost completely, they succeed the impressive sonic pressure only with the standard ‘roots folk’ instrumentation through alterations of tempo and dynamics. Sometimes they are rushing forward full-throttle (“Arquitectura Funesta”), sometimes they lean to more conventional song elaboration (“El Pescador”) - every time they make the memorable song out of the habitual things.
BANDCAMP

Ultra-Local Records (BCN, Carrer de Pujades, 113) is a special place. The record shops are going through the tough times. Now to struggle, to live through, to move along as a record shop it means to be special. So every existing record shop is a special place. But Ultra-Local Records is a special place amongst the special places. Run by ever-cheerful Raul Chamorro who, along with his partner Carme Baques, does everything from drawing the ink posters that look more like the examples of the contemporary art to hosting the radio program Hip-Hip Ultra, this local store is the mandatory point of interest not only for any music lover interested in Catalan scene but for the musicians themselves. The list of activities that the venue carries out on a regular basis also includes the acoustic in-store concerts. Moreover, Raul & Carme organize the Microclima Sound festival – the event that goes on the same dates as Primavera Sound and splashes out of the store’s doors onto the quiet Pujades street to represent the local bands in contrary to the Primavera Sound’s huge international superstarz. Fact two: first I’ve learned about all three featured albums via the Ultra-Local Records’ facebook page. So this post is some kind of huge thank you to the people who do their work the best of the possible ways.
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