5 años. Top50 albums 2000-2017

The year 2018 marks the 5-year jubilee of this tiny music-related blog. Now I'm finalizing the string of specials to celebrate this. This is the ultimate one - Top50 albums of the newer history of Spanish rock music as I see it. For good or bad this is what it's like. Initially I've tried to create this list with quite objective approach avoiding my personal affections and taking into account such things as impact on the scene instead - but quickly found it impossible. So that's what came out as a result.

50. Love Of Lesbian “Cuentos Chinos Para Niños Del Japon” (p)2007 Naive

49. Delafe Y Las Flores Azules "Trompetas De La Muerte" (p)2010 Warner

48. Sexy Sadie "Butterflies" (p)2000 Subterfuge

47. Pau Vallve "Abisme Cavall Hivern Primavera I Tornar" (p)2017 not on label

46. Disco Las Palmeras! "Nihil Obstrat" (p)2011 Matapadre

45. Second "Fracciones De Un Segundo" (p)2009 Warner

44. Ivan Ferreiro "Mentiroso Mentiroso" (p)2008 Warner

43. Joe La Reina "Bailamos Por Miedo" (p)2014 Subterfuge

42. Triangulo De Amor Bizarro "Triangulo De Amor Bizarro" (p)2007 Mushroom Pillow

41. Nadadora "Luz Oscuridad Luz" (p)2010 Ernie

40. Half Foot Outside "Heavenly" (p)2008 Limbo Starr

39. Mercromina "Bingo" (p)2003 Subterfuge

38. Izal "Magia Y Efectos Especiales" (p)2012 HOOK

37. McEnroe “Tu Nunca Moriras” (p)2008 Subterfuge

36. Carmen Boza "La Mansion De Los Espejos" (p)2014 self-released

35. Muy Fellini “Muy Fellini” (p)2007 BCore Disc/ Underhill

34. Russian Red "I Love Your Glasses" (p)2007 [PIAS] Spain

33. Pumuky "Justicia Poetica" (p)2015 Jabalina Musica

32. Dorian "El Futuro No Es De Nadie" (p)2006 [PIAS] Spain

31. Power Burkas "Llarga Vida Al Taranna" (p)2016 BCore Disc

30. Los Planetas "Encuentros Con Entidades" (p)2002 RCA-BMG

29. L.A. “Heavenly Hell” (p)2011 Warner

28. Berri Txarrak "Jaio.Musika.Hil" (p)2005 GOR Diskak

27. Christina Rosenvinge "Tu Labio Superior" (p)2008 Warner

26. Havalina “Las Hojas Secas” (p)2011 Origami

25. Unicornibot “Mambotron” (p)2011 Matapadre

24. Villanueva “Viajes De Ida” (p)2014 Esmerarte

23. Aina "Bipartite" (p)2001 BCore Disc

22. Sr. Chinarro "Perspectiva Caballera" (p)2014 VEEMMM

21. Igloo “02. Transicion De Fase” (p)2009 Ernie

20. La Habitacion Roja “Fue Electrico” (p)2012 Mushroom Pillow

19. Muy Poca Gente “En Flor” (p)2001 Grabaciones En El Mar

18. Delorean "Apar" (p)2013 Mushroom Pillow

17. Manta Ray “Estratexa” (p)2003 Acuarela

16. GAF & La Estrella De La Muerte “Sunriser” (p)2013 Foehn

15. Nudozurdo “Tara Motor Hembra” (p)2011 Everlasting

14. Madee "L'Antartica" 2007 (p)BCore Disc

13. Hazte Lapon “No Son Tu Marido” (p)2015 El Genio Equivocado

12. Celere “Al Dia Siguiente” (p)2012 not on label

11. Leon Benavente “Leon Benavente” (p)2013 Marxophone

10. Love Of Lesbian “1999” (p)2009 Music Bus

09. Linda Guilala “Psiconautica” (p)2016 Elefant

08. Rufus T. Firefly “Magnolia” (p)2017 Lago Naranja

07. Deluxe “Fin De Un Viaje Infinito” (p)2007 Mushroom Pillow

06. I Am Dive “Ghostwoods” (p)2012 Foehn

05. Vetusta Morla “Un Dia En El Mundo” (p)2008 Pequeno Salto Mortal

04. El Hombre Burbuja “Nadando A Crol” (p)2000 Everlasting

03. Pumuky “El Bosque En Llamas” (p)2009 Jabalina Musica

02. Los Piratas “Ultrasonica” (p)2001 Warner

01. Oso Leone “Mokragora” (p)2013 Foehn

Mision Pelutti "Cuentamelo Despues"

Mision Pelutti "Cuentamelo Despues" (p)2016

I like Cadiz. I've never been there, but for some reason I like it very much. Just look over it on the map - how could one not fall in love with it?!
One more reason to love Cadiz is it's burgeoning indie scene with remarkable past (El Hombre Burbuja, Los Hermanos Dalton) and encouraging present (Homeless, Detergente Liquido). Mision Pelutti is the new entry to Cadiz indie - though, I believe, every one in this trio has the music-related past. Initially I thought "Cuentamelo Despues" is an EP, but the band continues to uplodad the new tracks to the album's bandcamp page, so probably in the next couple of months it will grow to the full-blown longplay. Musically it is indie pop at its best: funny. breezy, touched by the light psychedelia - and it's recorded with the wilful negligence in lo-fi aestetics. The lyrics are typical for the genre concentrating on different 'you & me' things - both good or bad - with multiple la-la-la's in choruses. Spain itself has the excellent traditions in indie pop (the back catalogues of Elefant Records and/or Jabalina Musica say it all) so there's no surprise a debut album by a young band could be so fresh and promising.

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Villanueva "Zoo Para Dos"

Villanueva "Zoo Para Dos" (p)2017 Villanueva, under Sony Music licence

Q: What is the best album I never wrote about for these 3.5 years here?

A: Villanueva's "Viajes De Ida".

Q: Did I expect much from Villanueva's new album?

A: Exactly.

Q: Did I get what I wanted?

A: It's complicated.

The core of the complication defined with this internal monologue lays in major change of the sound. "Viajes De Ida" was post-punk'y rocky edgy album with marching rhythms and chopping shout-outs like these from "Bombas Nucleares": "Y hay bom - bas nu - clea - res en la habitacion - sera - mejor - mejor para los dos..." Apparently a musician can't always stand on the same grounds for three years - and it was senseless to expect him to pick up right where he left off - but I didn't expect that for Josete Diaz, the mainman behind the Villanueva moniker, the grounds were to change so drastically.
Teamed up now with Marti Perarnau and Ramiro Nieto (man, these guys seem to be literally everywhere!) Josete delivers the album which is miles away from his previous effort. First, gone are the chopping shout-outs like these from "Bombas Nucleares". Second, say 'Hi!' to the synths. There are lots of synths here. They're not dominating, but they're omnipresent. They're literally everywhere. Third, Josete's velvet baritone, which is the considerable part of the band's attractiveness, is still here.
Summing up the above, this album is much more lightbodied and lighthearted than the predecessor, and if you liked "Viajes De Ida" much you may find it hard falling in love with "Zoo Para Dos" from the first listen. But it's fresh and charming, and definitely you should give the album a chance. Chances are you'll just surrender to this charm.

The best tracks: Ella, El Dia Que Tu No Estabas, El Jardin De Las Delicias, Hoy Es La Ultima

The Lazy Lies "The Lazy Lies"

The Lazy Lies "The Lazy Lies" (p)2016 Right Here Right Now

First of all I should praise Facebook for its positive impact on my life. The huge  part of the best moments in my life that occurred within the last 5 years period are strictly connected to the services Facebook provides to the people. But sometimes it really sucks. For example, the filtration of incoming messages really sucks. The reason why some messages appear in your messenger and some not, being stored in some non-apparent submenu is not clear. In the middle of this year I accidentally discovered some messages dated back prior to year 2015! From that moment on I made a habit of checking the storage of the filtered-off messages at least weekly. And this Thursday I found out that Roger Gascon from the band The Lazy Lies has contacted me in the beginning of this week. The 4 days lag was not so crucial as 1.5 years ‘filtered/found’ lag for the message of Guillermo from Wilhelm (formerly Wilhelm and the Dancing Animals) whom I never replied because felt the momentum lost, so I quickly contacted him back and promised to listen to his band’s eponymous album that was released in January’2016.
Later that evening I came to the band’s bandcamp page and pressed the 'play' button. In seconds it became apparent that The Lazy Lies are harvesting the meadows of the indie pop – more precisely the branch of indie pop that pays homage to the 60’s legacy. Though I’m hardly the massive fan of the 60’s music but I truly like a lot of bands from the 90’s that had been treading the same path - such as mid-era Lilys or The Ladybug Transistor or the multiple bands from the spinART label’s roster. So I just let it flow over and in the middle of the second track ("Who's That Sally?") I started to feel embraced by the sound and by the warm atmosphere of the album. While listening to the very pleasant 'boy/girl' paired vocals of Roger and Montse Bernad this feeling progressed further, and when the last song came to the end I pressed the 'play' button again to listen to the album the second time in a row.

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