#Contempopranillo. Contempopránea 2014 en Badajoz, 6-7 of June. Day One

Contempopranea (pronounced with the emphasis on the 1st ‘a’) is one of the longest-running indie festivals in Spain. This year marks the considerable change in the concept of the fest. Historically, it always took its place in the town of Alburquerque, Extremadura province. But within the 19th edition of festival it was divided onto two legs: 1st to take part in the town of Badajoz (with such the renowned acts as Russian Red, Love Of Lesbian and Fuel Fandango as the headliners), and 2nd in Alburquerque (with La Habitacion Roja, Ninos Mutantes, etc.) As the 1st leg would a) coincide with my birthday, and b) present my favorite band Love Of Lesbian along with my wife Tanya’s favorite band Izal, we have decided to attend it anyway. Later it was announced that Russian Red would left the lineup due to her obligations with the Asian mini-tour and would be replaced by Ivan Ferreiro. It was nice news for me cos Ivan is one of my favorite musicians as well.

To get there we should take a pretty long trip: by plane from Moscow to Madrid, and then by car from Madrid airport Barajas 415 km to Badajoz. In sum it should take about 9 hours of pure travelling from point A to point B, in fact it took over 14 hours of our lives so we entered the old town of Badajoz at 05:00 pm of 6th of June being a bit exhausted. Having no time to rest, we run to the historical site of Alcazaba – an ancient castle on the hill by the river Guadiana (that gave the name to vine region DO Ribera del Guadiana - and this is why there is hashtag "contempopranillo" in the heading of my report) shore, where, inside the castle, the Contempopranea fest should take its place. We received our wrist braces in taquilla and then were approached by a woman who tried to ask us about something we were not in touch really. She spoke bad English, we spoke bad Spanish.

Then we had a small amount of time to walk around and see the surroundings.

Burgim

At 8.00 pm we came to Alcazaba to see the 1st band of Contempopranea 2014 - Burgim. Burgim were not great but they were good enough. They have pack of really good songs, and while their appearance onstage still wasn’t one of their strengths their abilities are quite promising and the potential of their music is visible.

Mikel Izal

The next band that should appear before our eyes were Izal. Izal is by all means one of the greatest Spanish bands in terms of stage presence. We missed them last year on Sonorama (in fact, we missed them there even two times – taking in mind their secret concert on the Carson stage) where their show was much lauded. Now we were prepared and successfully moved our bodies right at the security bars before the stage while the audience was not overwhelmingly numerous at that moment. Mikel Izal is the great showman. Not only because he has really great voice but also because onstage is the place where he lives his life. All his stage behavior speaks on this. The band played all the songs that we wanted them to (“Prueba Y Error”, “La Mujer De Verde”, “Panico Practico”, “Magia Y Efectos Especiales” amongst others) and left the place followed by the thunder-like applause.

Sidonie

Earlier this year Sidonie have put to release their new album “Sierra Y Canada” which marked their stylistic move from psychedelic retro-rock of their previous LP “El Fluido Garcia” to electronica-based future pop. I expected them to be play electronica here but otherwise Marc, Jes y Axel, backed up by the live members Marcel (guitar) and Edu (keyboards), were rocking out like a solid rock band. They used MIDI-sequensors and other ‘digital noise generators’ but only for supporting role, not as the main part of the sound palette. Their live program covered all the second part of the band’s career starting from the breakthrough album “La Costa Azul” though the main focus of attention was, for instance, “Sierra Y Canada”. The songs from the album being played with rock instrumentation sounded much better for my taste than they were on the album. When it was all over I considered the show of Sidonie absolutely astonishing on par (or even a bit better) with Izal’s one. 

Ivan Ferreiro

Then we came back to hotel to put our tired bodies to rest before the late night show of Ivan Ferreiro cos The Horrors and Maximo Park were none of our interest and it was better for us to sleep a couple of hours than to see these bands. 2.45 am we woke up and without any preparations or make-up or any we walked to Alcazaba again to see Ivan Ferreiro. Like Sidonie before him, Ivan was not concentrated fully on his last record “Val Minor - Madrid” and started the show with “Turnedo” from his first solo album “Las Canciones Del Tiempo Y La Distancia”. Then “Abrazame” from “Las Siete Y La Media” followed. So the show was more like the career-spun tour than the new album presentation. To my surprise, no songs from my favorite Ivan’s album “Picnic Extraterrestre” were played, and there was only one song from “Mentiroso Mentiroso” – “NYC” on which I cried like a child. In his three-piece suit Ivan looked like an alternative version of middle-aged Frank Sinatra. Periodically he played the pianola but mostly he walked over the scene with the strange birdish walk and heroic poses. Under the bottom line, for me as a fan it was great. For Tanya who is not a fan of him, it was some kind of The Great White Spot - something that one could never understand.

Contempopranea Nos Espera! Burgim "The Way That You Smile"

Burgim "The Way That You Smile" (p)2014

Burgim was the only name from the Contempopranea cartel that I wasn't known of. So I just followed the links and listened to their new album "The Way That You Smile" on their Bandcamp page just to be prepared.

The album starts from some Nashville-like (mostly like any member of Ten Out Of Tenn formation) roots-rock song "White Whale" beautiful enough to attract you. The second track "Shame" is a pure classic. It showcases not only the acoustic guitar strummings but also more solid-sounding drums and perfect backing vocals. "Shame" is followed by the pack of mostly acoustic folk-pop songs with intimate vocals and vibraphone-sounding Hammond on the background.

The things changed on the track #7: "Illusion". This track is a Britpop-based midtempo song which abandons tiny folk rock in favor of the electric guitar solos and - do I really heard it? - 'chug-chug'. Though it sounds like some kind of 'play on the set up subject' it is really intereting twist. But band goes further on the next track. "Mister User" really rocks on full throttle with no strings attached. And you know what? The next "Mile In A Tear" is even more hard-rockin' piece! The song starts from the guitar part that repeats the introduction to the hit of the football-obsessed alternative deutsche-punks Sportfreunde Stiller  "Ans Ende Denken Wir Zuletzt"- but in a lo-fi way. The rest of the song is 'quiet verse - loud chorus'-structured theme with very catchy chorus.

So within this album the band makes a trip from contemporary Nashville folk pop to British/European alternative rock. Both faces of this Janus are far from 'one of a kind' position but overall pleasant, and I really expect them to be great onstage.

The best tracks: Shame, Mr. User, So Happy, No One Must Never (Take Us Apart)

Las Resenas Casuales. Grushenka "Tecnicas Subversivas"

Grushenka "Tecnicas Subversivas" (p)2012 El Genio Equivocado

Named after the female character from Fyodor Dostoevsky's novel "The Karamazov Brothers" (yes, yes, the Russian roots are detected!) Barcelona's Grushenka play noise pop. And dreampop. And twee. All in a pretty naive way. I discovered them through the Ondas Del Espacio's Los Planetas' homage CD where they reinterpreted "Mi Hermana Pequena" and were the best band I wasn't familiar with. Honestly, I should say that the Los Planetas' song being played by Grushenka sounds better than any of Grushenka's own songs. But that's not the sentence - it's just the fact ascertaining that the band makes their own songs another way, and judging them by a cover (what a word-play here!) is not the best way to consider them at all.

Stylistically, "Tecnicas Subversivas" lies somewhere halfway from Times New Viking's "Dancer Equired"(which is undoubtedly the calmest album of the usually fast and furious trio) to The Pains Of Being Pure At Heart successfully delivering the carelessness-based creative vision of the first and fragile sincerety of the second.  

The best tracks: El Mecanismo De Defensa, Punset Ya Me Lo Dija, Ese Gran Lunar De Tu Epalda

Las Resenas Casuales. Fira Fem "Fira Fem"

Fira Fem "Fira Fem" (p)2013 Aloud Music

The members of the metropolitan quartet Fira Fem explore the lands of modern 'electronica-meets-indie rock' cliche with their sophomore nameless release. I suppose that  there's a lot of international influences in there but I can't name one. So, there's the one that is not international: Delorean.

The band's music is the danceable mix of echoed vocals, trembling multitracked guitar lines and the neverending flow of evocative electronica. The songs mostly sound like they're remixes. Imagine how the Delorean's remixes on, dunno, The Shins could sound like. I don't think that Fira Fem discover some new horizons with this album but it's interesting enough for not to discard the band. Would try to catch their show on this year's edition of Sonorama.

The best tracks: I Fucked Fira Fem Before They Were Famous, Wrong Movements, Los Novios Son Los Nuevos Zombies

En el Camino A Contempopranea

A Quick Guide To... Jabalina Musica

Jabalina Musica is a cult indie label from Madrid. The label's roster mostly concentrates on the various sub-genres of indie pop. This year marks the 20th anniversary of Jabalina. The date was celebrated by the series of local concerts. For last five years Jabalina and its head Tanis Abellan has produced two absolutely astonishing singles collections: 'Jabalina Love Songs' and 'Dedicatessen'. These collections are published so deliciously that mere appearance of the discs could make your heart go wild. So let's start from the second one.

Graphics of 'Dedicatessen' are designed by Jesus Galvan who is the brother of Antonio Galvan, the man behind the Parade project. 

The series include the following items (in alphabetical order) all printed on colour vinyl:

1. ALDO LINARES y las mujeres
2. AMA ante el virus de la rabia
3. APENINO cerca de las estrellas
4. DOBLE PLETINA contra los amores perdidos
5. J'AIME en la noche eterna 
6. KLAUS&KINSKI a cuatro reinas moras
7. LLUM y la revuelta emocional 
8. PARADE en el estudio Ghibli
9. PUMUKY y el eterno femenino
10. SOLLETICO y el hombre de la casa
11. SOUVENIR y los finales sin fin
12. WILD HONEY Dear Cindy

Most of the bands - well-known (Klaus&Kinski, Parade, Doble Pletina) or not (Solletico, Ama) - deliver different kinds of lo-fi/synth-pop/folk pop/indie pop music with the fragile male/female vocals and general sense of the light melancholy. Even my all-time favorites Pumuky sound here like they do not want to tear the common canvas. I'm not gonna tell you that all these bands and musicians are the same or anything like that - no, absolutely. They are all different and all have their own features, but they have something in common here within this series - let it be baritone-voiced singer/songwriter Llum or quirky pop experimentators Doble Pletina, or Klaus&Kinsky who abandoned their twee in favor of loose acoustic piano-based songs.

For me, being familiar with the most of the presented musicians, nevertheless I've made one good discovery here - J'aime. His americana-tinged music is the perfect soundtrack for the rainy evenings spent home alone with a good bottle of wine.

Las Resenas Casuales. Eric Fuentes "Barcelona"

Eric Fuentes "Barcelona" 3CD, (p)2014, BCore Disc

Ex-leader of the renowned alternative band The Unfinished Sympathy Eric Fuentes has done a lot of work. Triple album - can you imagine that? Who's gonna issue triple albums these days? 

To prevent the album from being boring on the same templates repeated for 30+ times over and over again, Eric has chosen the way not to be concentrated on himself. He has invited some friends from the local music community to sing some songs. It was a good idea because these songs that were sung by different singers got the new dimensions and the new characters. The standout track of that kind is by no means the one that is sung by local superhero Ramon Rodriguez who usually goes under the alias The New Raemon, "Disfruta Perdiendo".

Most of the songs are sung in English - much as the back catalogue of The Unfinished Sympathy was. But the best track on the whole album is in Catalan ("Amb L'Algua Al Coll", and I have posted it here in the blog two weeks earlier). The second best track - El Hombre Burbuja-like "Incansable" is not English-languaged as well.

Probably, you can't call "Barcelona" unified cos the songs on the album are pretty much diversified in style. But it's strong feature is that you can feel how Eric simply does what he wants without any convoluted production tricks and martyr-like attemts to give the songs the additional glance. The whole album is not so long overall (~100 min) and it will hardly make you fall into boredom. But you will hardly like every song on it.

The best tracks: Amb L'Algua Al Coll, Incansable, Future Lovesong, Disfruta Perdiendo