Trilitrate "Frutal Death"

Trilitrate "Frutal Death" (p)2016 Metamovida/ Nooirax

This is kind of strange music. The members of Metamovida collective (the Galician artistic commune that unites the underground bands such as diola, Cro!, Bala, Guerrera, IgMig amongst others) Ruben Abad (also of Cro!), Marcos Padron, Elena Vazquez and Laura Iturralde take a step into acoustic music built upon the instrumentation unusual for the habitual rock apparatus (even for the underground side of it). How many bands that use accordion you can count except for the Celtick punk sub-genre? That's really uncommon. I've never listened to anything like "Frutal Death" before. This is tiny fragile folkloric music - very quiet, trembling and mysterious. 

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Bay City Killers "The Distance"

Bay City Killers "The Distance" (p)2017 Red B Records

The inflammable rock band from Mallorca - fast, loud and ballsy. Bay City Killers go full throttle from the very beginning of "The Distance" and drive ahead with the fast and furious rhythm section, edgy guitars and the cracked voice of the frontman Jose Serrano at maximum speed until the end of the road. The guys position themselves alternative/punk, but their alternative/punk contains a good doze of southern rock so the album sounds pretty american. Pretty midwestern states kind of american. Kinda highway drivin', roadside bar hard drinkin'. I'd like to see them live cos I bet live Bay City Killers easily could get the water boiled remotely.

The best tracks: Lights On The Road, The Grave Of The Fireflies, Walking On The Edge

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Lullavy "Ruina"

Lullavy "Ruina" (p)2017 self-released

Sometimes you need just a few seconds to fall for something so i fell in love with the Lullavy's "Ruina" within the first 5 seconds of "Quien Este Ciego Para Ver". 

Just to put some reference points: if you ask me what albums released within the new millenium I consider the best then I'd tell you it's Rival Schools' "United By Fate" for years 2001-2010 and The Jealous Sound's "A Gentle Reminder" for the years 2011 to-date. These albums are closely related to post-hardcore, and despite being, you know, 'radio-friendly' in certain terms they represent successfully what this genre has converted into since its early times.

"Ruina" is not radio-friendly (if we're not talking about iCat.cat - for this radio station it surely is a piece of pie) but it shouldn't scare you off cos it has the distinct emotion through rawness - the same emotion the early records of The Appleseed Cast or Braid had. It's so fucking great when the band you know nothing about builds the song and sound of such the natural greatness that it knocks you off and stomps you down. There's nothing about lush production, there's nothing about experementation in experementation's sake. The trio uses quite minimalistic approach to create the melodies that are burning inside while being locked within the 3-4 minute guitar-driven song - sometimes harsh and loud, sometimes tiny and subdued.

By the way, it's totally my fault that I wasn't learned of Lullavy before as a) the band has 'the family ties' to WANN whom I like alot, b) the album was recorded by Frank Rudow (of Manta Ray fame), and c) the album was mixed and mastered in the Canarian La Caterva Grabaciones where some of the great albums (for example, Pumuky's "Justicia Poetica") were baked.

The best tracks: Este Silencio, Intruso, Quien Este Ciego Para Ver, La Contencion

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P.S. When I tried to find a video to any of the songs from the album the youtube's 'artificial intelligence' has led me then to the videos by Jawbox, Jawbreaker and Sunny Day Real Estate.

P.P.S. When I come into the Ultra-Local record store in Barcelona the next time I will wear the "Catalan post hardcore wanted" plate across my forehead.

baden bah! "Piel Sinfonica"

baden bah! & Joven Orquesta Sinfonica Ciudad de Salamanca "Piel Sinfonica" (p)2017 baden bah

The Salamanca-born indie quartet is not that big fat band that's up to use the symphonic orquestra to celebrate its own hugeness. For the tiny bands this courageous step is more about of an adventure of 'let's see where it might lead us' kind. The result is never guaranteed for the bands like this. It all comes to their abilities, their self-confidence and - primarily - to their songs. baden bah! have got the plenty of good songs. And they've got the self-confidence, surely. Teamed up with Joven Orquesta Sinfonica Ciudad de Salamanca (The Youth Orchestra of Salamanca Town) together they managed to create the emotionally rich live set of songs. You may hear the band's both impatience and nervousness in the first three tracks but it doesn't spoil the whole record - it just adds more heart and soul to the well nuanced and translucent album which "Piel Sinfonica" undeniably is. Maybe it's 2-3 songs too long to keep the certain level of listener's attention but it has an excuse - the last two ones are the best here.

The best tracks: Una Vida Sencilla, Ya Es Primavera, Invicto, A Tres Metros Del Suelo

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Pet Fennec "Mount Pleasant"

Pet Fennec "Mount Pleasant" (p)2017 Milagros A LOUR

The first longplay by the Basque band Pet Fennec takes a lot of influences in itself. The reviewers have already marked The Posies, Built To Spill, Pavement and other 90's american indie milestones as the main impact makers but there are also the distinct Fleet Foxes and Band Of Horses' flavours in there. For my ear the most pleasant taste in this plate is that one of Nada Surf as evidenced by the track "Vishal News". At the end of the day, the band have managed to create very versatile album - though not so original but highly enjoyable anyway.

The best tracks: Under The Sun, Vishal News, Richmond

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Best of 2017. 3 albums more

Every year I'm trying to cover the pool of the albums as vast as possible but every time there are some great albums that appear afterwards. The albums below were released in November/December when the most of the poll was already completed. The part of me feels guilty for not including them in the Top50 but the other half of me feels happy for that because to include the new ones in the list means to throw some other great albums off the list what could be quite unfair to the albums that were accompanying me for the most part of the year. Nevertheless, ignoring them completely would be sort of a crime.

Paciente Cero "La Constante de John Doe" (p)self-released

Rhythmically this record – as intense as introvert – stands both legs in contemporary neo prog in alt-rock wrap-up. You know this over-the-top sound most common for the neo prog bands – Paciente Cero sounds more stripped-down than that, more down-to-earth. What they’ve got instead is the possibility to broadcast the clean emotions rare for usual prog rock. Whatever the frontman Rafa Tuñon sings about (you’d call them ‘socially oriented’ based on the lyrics) you can feel with the tips of your fingers that he really cares. The rhythm section (Marco Pedroza and Julian Jimenez) is astounding. The only guitarist Hector Baladron has got the tough task and he does the best in making the band sound truly natural.

Possible place within Top50: 20 - 30.

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Lula "Vida Salvaje" (p)self-released

The Comunidad Valenciana rock scene mainstay Patricia Escoin started her career back in the 80's as a singer for Los Romeos and never disappeared for long since. Now she fronts both indie rock trio Lula and power pop quartet Los Amantes. The latter’s “Open 24 Hours” longplay was good but the new one by Lula is something really special. The thick sound, the strong melodies, the nice guitar work plus the Pat’s voice which I consider one of the sweetest female voices in rock worldwide (maybe Veruca Salt’s Nina Gordon is the closest reference).

Possible place within Top50: 10 - 20.

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Berri Txarrak "Infrasoinuak" (p)Only In Dreams

In August of 2015 we were on the round trip clockwise through the Spanish north and had a brief stay in Bilbao. Amongst the pre-selected places for mandatory visit there was the record store Power Records. In the shop I was searching through the records when the shopkeeper came to me and asked: “Are you going to purchase this one?” pointing the finger at Berri Txarrak’s triple LP “Denbora Da Poligrafo Bakarra” in my hands. “Sure”, said I. “Ooh, you might’ve said nothing more, you are my men!” he said smiling.

I’ve never been a huge fan of the Basque power trio (imagine Bob Mould’s Sugar on speed), rather I always was some kind of ‘interested in’. But “Infrasoinuak” is the turning point when I could call myself a fan. I somehow missed the album at its release, so once when I learned of its release I purchased it via iTunes and in the next couple of hours I listened to it three times in a row. I went goosebumps in the process. I went completely mad sporadically playing air guitar with one hand and air drums with another. Melody-wise it’s a huge record. It’s not so colossal in size as “Denbora…” was, but it’s hard, it’s fast, it’s way more melodic than anything they’ve done previously.

Possible place within Top50: 01 - 10.

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Best of 2017. Albums 1-10

Finally, this is the closing part of the list. Enjoy it!

<<< 41 - 50
<<< 31 - 40
<<< 21 - 30
<<< 11 - 20
<<< Top10 EPs & mini albums
<<< Honorable Mention

10. Igloo "Aquellos Maravillosos Danos" (p)La Alianza Rebelde/ Ernie Producciones

The long-awaited successor of "04. El Conjunto Vacio" presents the band in the best form since the brilliant "La Transicion De Fase". The production is crisp, the melodies are sharp, and Beni's voice is powerful and velvety as ever. There are moments on the album where Igloo clearly go pop - but if this band goes pop without a doubt this is the best guitar-drenched pop possible.

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09. Os Bru "Hvala" (p)The Indian Runners

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08. Bifannah "Maresia" (p)The John Colby Sect

"Maresia" is like the magic seaside wind that whirls the synth-driven indie pop into the power pop melodicism and upbeat rhythms. It filters into your system and just makes your day brighter. Up to this moment I know nothing about the band, so this short review is just a reflexion of the emotions I get while listening to this album.

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07. Detergente Liquido "Mirad Lo Que Me Habeis Hecho Hacer. Por Favor" (p)self-released

The definitive indie pop record made by the members of the same community responsible for the intelligent noise pop of Homeless and mellow psychedelia of The Magic Mor - so expect a lot of sonic surprises all over here along with the pack of perfect songs.

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06. Havoc "Amado Lider" (p)Subterfuge

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05. Disciplina Atlantico "Gran Oriente" (p)Limbo Starr

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04. Mazoni "Carn, Os I Tot Inclos" (p)Bankrobber

You don't know yet what album is on the top of this list - and I tell you there's something you could hardly predict. But what really shook me to the core is this album by Mazoni purchased solely as a companion to some items I've bought via the Bankrobber website - I noticed the name and thought something like 'Hey, they performed at Ultra-Local so it's gonna be cool!' And it appeared to be way better than cool. Jaume Pla manages to create magic with only his voice and his guitar. That shows us the simpliest of the facts: if you have a great song you don't need much to make it work.

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03. Tuya "A War Is Coming" (p)El Rayo Verde

The new album of David T. Ginzo's projrect Tuya is the fine piece of electronica-fueled psychedelia - some drastic change for the band whose previous album sounded rather like an almanac of post-Guided By Voices lo-fi sketches. "A War Is Coming" is undoubtedly an ears delight as for those who prefer the precise sound sculpturing over the singalong simplicity as for their tastewise opposites, as Tuya's sonic experimentations never domineer over Her Majesty The Song.

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02. Rufus T. Firefly "Magnolia" (p)Lago Naranja

Full review

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01. Pau Vallve "Abisme Cavall Hivern Primavera I Tornar" (p)self-released

What I would like to tell you now is something like: "Since I was listening to this album for the first time there was no subject to concern what album would top the annual poll", but it's nothing like that. The truth is that for the last couple of months I constantly changed the places of these three albums within the top 3. These are the tremendous records but finally I came to conclusion that Pau Vallve's double album is the best of them. This Opus Magnum contains different emotions as well as different styles (indie pop, noise rock, psychedelia, urban folk, singer-songwriter in the vein of Josh Rouse, singer-songwriter in the vein of Elliott Smith's "Figure 8" or "From A Basement On The Hill", etc.) You may listen to these songs at morning or at night, in any state of mind, in any mood, when it's raining or in a sunny day, while driving or preparing yourself to sleep - and there always is a song that matches the moment.

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