понедельник, 24 августа 2015 г.

Sonorama Ribera 2015. The Report. #1 Get The Party Started

Date: August, Wednesday 12th.
Place: Spain, Burgos Province, Aranda de Duero, Escenario Carson Camping

Almost an year ago I was standing on the edge of  Plaza del Trigo stage when Javier Ajenjo, the director of Sonorama, unexpectedly brought me in front right before the eyes of all these happy young men and women around and introduced me to the crowd, and I was thinking: What could be better than this? What in my fucking stupid boring life could ever be greater than this? Or most likely this would be the greatest moment for me to recall when I die? Will there be the other beautiful moments worth waiting for? (The answer for the last question is: definitely yes!)

This time we came to Aranda a day before the start of the festival - just to breathe this air, to walk the empty streets, to have a night to drink the wine sitting on the Plaza Mayor... Generally speaking, we wanted to adjust our souls to the atmosphere of the town before the fiesta starts. Our arrival was preceded by 9 days-long travel across the north of Spain from Galicia to Pais Vasco. Initially we had plans to meet some local musicians on our route - the plans that have partially come true (Hugo Babarro from Bestlife (Under Your Seat) and Julian Rodriguez (Igloo), and partially not (Edu Ugarte, Joe La Reina). In addition to that, our visit to Ferrol coincided with the acoustic set of La Habitacion Roja in a pretty small venue called Sala Super 8. Happily we managed to attend the concert and, moreover, to take a couple of photos with Jorge Marti and Pau Roca.

12th of August surprisingly the sky got cloudy after the lunch time. It was the first time when we saw the clouds in Aranda. The official opening of Sonorama was set at 9 p.m. in camping. When we came there at the time, it started raining. Needless to say, we weren't prepared for this and quickly started to get soaked with the raindrops. But the first ever performance of Sonorama Ribera 2015 was not painfully spoiled by the weather, and the band of Jimmy Barnatan (old-school country "redneck'n'roll" rock) led us through their r-r-r-roaring show without any serious obstacles on the way. But the next band to appear before or eyes and ears - Club del Rio - was compelled to postpone the show for almost an hour cos the rain got harder. There was something in the air that made the atmosphere around full of lightweight craziness and surrealism. Somewhere in between of the performances the costumes contest was scheduled for this night (first prize - lifelong access to all the future Sonoramas. Yes, lifelong!) So we were looking at the men dressed like women and the women dressed like men, and all these freaky styley dudes and chicks walking around us. There was a semi-naked guy with the painting saying "Fuck Canada!" across his waist, for instance. "You can't take that stuff to Canada", I recalled the line from the old Low track "Canada". Anyway, the most winning costume this night was that one of jellyfish as it was built upon the see-through umbrellas, and not only looked cool but also effectively prevented its owners from getting wet. Unfortunately, we didn't have one. So at the moment when Club del Rio finally came onstage not only to move their gear back and forth but also to play some music we made the definitive decision to return to hotel. Club del Rio were none of our interest with their mix of reggae, acid jazz and indie folk, and to wait for Aerolineas Federales and secret concert was a bit too embarassing for us, taking in mind that the rain showed no signs of stopping in the close future.

As my report of the first night of Sonorama 2015 is limited due to the poor weather conditions I have the time and the space to express my simpathy and adoration to the persons we got acquainted with during this travel. HugoJulian and JuanMa, the time that we spent together makes me and Tanya dream about spending much more time with you!

Text: Mikhail
Photos: Tatiana

среда, 19 августа 2015 г.

Sonorama Ribera 2015. The Report. The photographs

While I'm just trying to start the report on the new Sonorama edition, you may dive into the atmosphere of the fest through the set of photos that I uploaded (and still continue to upload as the amount is huge) here.

Javier Ajenjo (Sonorama director) & Jorge Marti (La Habitacion Roja) on Plaza del Trigo stage with DO Ribera del Duero wine

четверг, 23 июля 2015 г.

Clara Plath "Grand Battement"

Clara Plath "Grand Battement" (p)2015
The first full lenght of the Murcian female-fronted band Clara Plath follows the path of the last year's EP "Hi Lola !!" - and these are definitely good news because the EP only slightly uncovered the band's potential to create the 'all killer no filler'-plateful of songs. After the album was released physically the band sent me a copy (you may see my happy face below) but I couldn't stand waiting when it would arrive, so I purchased the digital copy on iTunes just to get it faster.
Apart from the track that opens and closes "Grand Battement" (the 2 minute long "Kisses Goodbye") the canvas of the album is divided in equal proportions into the loud smash rockers ("Crazy Liar", "Waiting For My Dog", "Like A Rocket", "American Do") and calmer tracks like "Broken Dolls", "Grand Battement", "Distance" and "Second Floor" where the guitars share the leading role with the keyboards. The both types of songs are remarkable. The Kathleen Hanna-inspired hysterical screams on "Crazy Liar" refrain add some new dimension to the picture, so does the folk tune "Little Sue" only available as the bonus track. The songs are not that polished, they're not that hair-brushed. They're just real. These songs are from that perfect world where "simple" doesn't mean "mediocre", "melodic" doesn't mean "commercial", and "catchy" doesn't mean "calculated".
Under the bottom line "Grand Battement" is a kind of album where you may start to play any song just to give it a try and then accidentally find yourself having been auditioning all the album through for the second round just not being able to press the "STOP" button.

The best tracks: Crazy Liar, American Do, Distance, Waiting For My Dog



вторник, 21 июля 2015 г.

Cuzin "Problemas Epicos"

Cuzin "Problemas Epicos" (p)2015 Gran Tigre
This metropolitan trio includes the members of such the perfect guitar-driven bands as El Relevo Aleman and Buena Esperanza. I wasn't informed about it when I started to listen to "Problemas Epicos" for the first time. In fact, I've learned about the mere existence of the band only via the poster of their mutual concert with my other Y2015 favorites - Monte Del Oso. The pairing of these two bands on the same poster isn't accidental - the bands wear the same aesthetics on their sleeves, and their roots feed from the same soils: the american indie rock of the 90's. While Monte Del Oso lean to pure 90's indie (Sugar, Dinosaur Jr, etc), Cuzin are more about post-hardcore crossed with 2nd wave emo: Jawbox, Fugazi, Braid and the first two records of Jimmy Eat World, you know the names. And they play this kind of music to the mesmerizing results: "Problemas Epicos" is the absolute winner. Crafted with the distinct DIY approach, this album delivers quite minimalistic rock sound with tunes so tight and catchy* that for the fisrt time I hardly can exstract the best tracks here - they're all perfect.

*Please don't forget that when I say 'catchy' I mean "Frame & Canvas" & "Static Prevails" kind of catchy.


среда, 8 июля 2015 г.

The semi-annual report: TOP30 albums, TOP10 EP's and more...

First of all I should emphasize the fact that 2015 is the hell of the year - at least its first half. My head's got totally wound up with the albums listed below - not only because of the albums that confirm the abilities (or even set the watermarks much higher than before) of their creators (Pumuky, Havalina, Reina Republicana, Zahara), but also due to some great discoveries like Cuzin, Monte Del Oso, Homeless, Detergente Liquido or Moonflower. It's always so nice to find the new jem in the ocean. And this always makes me wonder how many great things I'm missing.

1. Pumuky "Justicia Poetica"
3. Cuzin "Problemas Epicos"
4. La Maravillosa Orquestra Del Alcohol "La Primavera Del Invierno"
5. Reina Republicana "El Despertar"
7. Homeless "La Ciencia Lo Sabe"
8. Monte Del Oso "Esto Tiene Que Doler"
9. Zahara "Santa"
10. El Lado Oscuro De La Broca "Beta"
11. Havalina "Islas De Cemento"
12. Clara Plath "Grand Battement"
14. Nueva Vulcano "Noveleria"
22. La Maniobra de Q "El Dano Esta Hecho"
26. Correos "Seres"
28. Jorganes "Science Was Wrong Before"
29. AMA "Nada Dos Veces"
30. L.A. "From The City To The Ocean Side"

10 best EP's and mini-albums (in alphabetical order):
Big Summer "Big Summer"
Estartega Pencherjevsky "Sentinel"
Fifteen Years Old "Abecedario"
Jon Koldo L. Salas "Tardes De Arena"
Paciente Cero "Viene"
Paracaidas "Pensamiento De Paz Durante Un Ataque Aereo"
Pedro Parque "Victoria"
Proyecto Solaz "Proyecto Solaz EP"
Seward "Second Two: Chapter Home"
Vufalo "El Jinete Electrico"

20 more albums to listen to (in alphabetical order):
Automatas "El Infierno Y Otros Miedos. Introduccion"
Axolotes Mexicanos "Holi <3"
Boreals "Boreals"
Blacanova "Regiones Devastadas"
Christina Rosenvinge "Lo Nuestro"
Diego Hdez "Autotrophic Music"
Dover "Complications"
Febrero "Ya!"
Maronda "Vibraciones"
McEnroe "Rugen Las Flores"
Mi Capitan "Drenad El Cena"
Nudozurdo "Rojo Es Peligro"
Ocellot "Jelly Beat"
The New Raemon "Oh, Rompehielos"
Tulsa "La Calma Chica"
Wilhelm "How High Lily?"

And let's just finalize these long lists with the standalone song that is yet to appear on an album.

понедельник, 29 июня 2015 г.

Igloo "IGLØØ2"

Igloo "IGLØØ2" (p)2015 Ernie Producciones
Igloo have done the same trick that Dorian did a month before them: they took a look upon their career with some extracted songs being refaced, rethought and reimagened - and supplemented with one brand new song (the gorgeous "La Reina Ourensana") along with two cover versions - Family's "El Bello Verano" and "Sugar Baby Love" originally by The Rubettes (#1 UK hit single in 1974). With three last tracks as electro remixes ("Todo", "Han Solo" and "Sin Mentiras") the rest of the songs are the quieter, milder and more stripped-down renditions of original versions - I can't say they're acoustic versions, I'd rather say they're 'acousticized' if there'd be the word.
As for Dorian, the songs chosen to appear on this album are not necessarily the best songs of Igloo, and honestly speaking, the 'election algorithm' for me is unclear. But it's not the point because the band managed to achieve something important that probably could not be achieved through the main hits and 'best in career' songs: it feels like Beni Ferreiro and his pals opened the door and let you inside their living room with its warm frendly and soulful atmosphere. Just imagine yourself sitting in some place that is not your home but it feels like home, that's it.

The best tracks: La Reina Ourensana, El Bello Verano, Hada, Han Solo (Rework by David Kano)


ERNIE PRODUCCIONES