Best Of 2017. Honorable Mention

<<< 41 - 50

<<< 31 - 40

<<< 21 - 30

<<< 11 - 20

<<< EPs & mini albums

Ainara LeGardon "Ainara LeGardon" (p)self-released
BNDCMP

Malaspecto "¡Qué poca vergüenza! / Canciones Obsoletas" (p)El Hombre Bala
BNDCMP

NääN "A Traves D'Un Miratge" (p)self-released
BNDCMP

Diola "Diola" (p)BCore Disc
BNDCMP

vol menor "Contracorrent A L'Instint" (p)self-released
BNDCMP

Wild Honey "Torres Blancas" (p)Lovemonk BNDCMP

L'Hereu Escampa "Pren La Matinada" (p)Famelic BNDCMP

Zulu Zulu "Defensa Zebra" (p)Foehn Records BNDCMP

Campeon "Suncampeon" (p)self-released BNDCMP

Black Mirror "No Colours For Concern" (p)El Hombre Bala BNDCMP

First of all, all these albums of this section are exceptional. The only reason why they're out of the main list… Oh no, there's no one and only reason for all of them. Some of these albums (Diola’s unconventional punk rock album, vol menor’s “Contracorrent A L’Instint” full of indie pop brightness in 'under 1.5 minutes' format) have spent some time within the Top50 but the year end’s carpet bombing of the heavyweight contestants (Tulsa, Vetusta Morla, Eladio Y Los Seres Queridos, Autumn Comets) pulled them out of the final edition.

Another reason is my attempt to create the poll diverse enough without concentrating on some given genre as nobody would like to look through the list with only post-hardcore/90s indie rock entries. The albums of Wild Honey and L’Hereu Escampa also were in my long list but fell victims to their genres’ representation in Top50. There are 8 albums of indie pop and 5 albums of Catalan Post Hardcore TM more in the main list, so these two became the (un)lucky losers.

Basically, I'm trying to do the poll that could be interesting for other people, not only for me, sometimes distancing myself from my own tastes. And this approach... it really makes me develop myself. Sometimes it makes me discover the gems I'd never be going to discover may I take the other method. But I can’t deny my own vision completely. For instance, I hardly could imagine the band like La Iaia to be in my main list - but I listened to it, I liked it, and I'm still listening to it. In the other hand, Ainara LeGardon’s eponymous release is like some great wine where you taste all these nuances and overtones and you feel with the pores of your skin that this is really great - but it's obviously not exactly what you want and you're not going to drink it quite frequently and you're not going to recommend it to others. I do recommend “Ainara LeGardon” because it’s a great record - but it's the great record for minority. And I can repeat these words for NääN’s “A Traves D'Un Miratge”, Black Mirror’s “No Colours For Concern” и Zulu Zulu’s “Defensa Zebra” – these are the outstanding albums but they’re too special for such the post-hardcore/90s indie rock junkie like me.

Regarding Malaspecto’s “¡Qué poca vergüenza! / Canciones Obsoletas”… It may look like a joke, and it may sound like a joke. But why can't I throw these short sarcastic sonic glimpses out of my head for literally months??? Last September I was lucky to see them performing live and it was an exceptionally funny moment. You have to embrace their aesthetics of true spontaneity to enjoy the duo’s art in its fullness. By the way, they're punk rock. Not synth-pop or electro or anything like that.

And, finally, the harsh, brutal & honest punk/hardcore/under-grunge (think of Husker Du or Fleeper) with the power pop melodicity of Campeon is also highly recommended. The album is produced by Brian Hunt.

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