Best Of 2017. Honorable Mention

<<< 41 - 50

<<< 31 - 40

<<< 21 - 30

<<< 11 - 20

<<< EPs & mini albums

Ainara LeGardon "Ainara LeGardon" (p)self-released
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Malaspecto "¡Qué poca vergüenza! / Canciones Obsoletas" (p)El Hombre Bala
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NääN "A Traves D'Un Miratge" (p)self-released
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Diola "Diola" (p)BCore Disc
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vol menor "Contracorrent A L'Instint" (p)self-released
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Wild Honey "Torres Blancas" (p)Lovemonk BNDCMP

L'Hereu Escampa "Pren La Matinada" (p)Famelic BNDCMP

Zulu Zulu "Defensa Zebra" (p)Foehn Records BNDCMP

Campeon "Suncampeon" (p)self-released BNDCMP

Black Mirror "No Colours For Concern" (p)El Hombre Bala BNDCMP

First of all, all these albums of this section are exceptional. The only reason why they're out of the main list… Oh no, there's no one and only reason for all of them. Some of these albums (Diola’s unconventional punk rock album, vol menor’s “Contracorrent A L’Instint” full of indie pop brightness in 'under 1.5 minutes' format) have spent some time within the Top50 but the year end’s carpet bombing of the heavyweight contestants (Tulsa, Vetusta Morla, Eladio Y Los Seres Queridos, Autumn Comets) pulled them out of the final edition.

Another reason is my attempt to create the poll diverse enough without concentrating on some given genre as nobody would like to look through the list with only post-hardcore/90s indie rock entries. The albums of Wild Honey and L’Hereu Escampa also were in my long list but fell victims to their genres’ representation in Top50. There are 8 albums of indie pop and 5 albums of Catalan Post Hardcore TM more in the main list, so these two became the (un)lucky losers.

Basically, I'm trying to do the poll that could be interesting for other people, not only for me, sometimes distancing myself from my own tastes. And this approach... it really makes me develop myself. Sometimes it makes me discover the gems I'd never be going to discover may I take the other method. But I can’t deny my own vision completely. For instance, I hardly could imagine the band like La Iaia to be in my main list - but I listened to it, I liked it, and I'm still listening to it. In the other hand, Ainara LeGardon’s eponymous release is like some great wine where you taste all these nuances and overtones and you feel with the pores of your skin that this is really great - but it's obviously not exactly what you want and you're not going to drink it quite frequently and you're not going to recommend it to others. I do recommend “Ainara LeGardon” because it’s a great record - but it's the great record for minority. And I can repeat these words for NääN’s “A Traves D'Un Miratge”, Black Mirror’s “No Colours For Concern” и Zulu Zulu’s “Defensa Zebra” – these are the outstanding albums but they’re too special for such the post-hardcore/90s indie rock junkie like me.

Regarding Malaspecto’s “¡Qué poca vergüenza! / Canciones Obsoletas”… It may look like a joke, and it may sound like a joke. But why can't I throw these short sarcastic sonic glimpses out of my head for literally months??? Last September I was lucky to see them performing live and it was an exceptionally funny moment. You have to embrace their aesthetics of true spontaneity to enjoy the duo’s art in its fullness. By the way, they're punk rock. Not synth-pop or electro or anything like that.

And, finally, the harsh, brutal & honest punk/hardcore/under-grunge (think of Husker Du or Fleeper) with the power pop melodicity of Campeon is also highly recommended. The album is produced by Brian Hunt.

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Diola "Diola"

Diola "Diola" (p)2017 BCore Disc

Built upon the ashes of experimental rock combo Unicornibot (whose last effort "Mambotron" (p)2013 Matapadre) is commonly regarded as a masterpiece), the Pontevedra-based trio diola explores more distinct sounds and more streamlined structures. And if you listen to the album on the run, in the car, or in any other situation where you ain’t fully concentrated on what you’ve been listening to you may think it’s a punk rock record. And, you know, in a certain measure it’s true. But it’s only a part of the truth. In fact it’s a kind of ‘punk plus’ record – it’s a punk rock record the same way the Clockwork Orange’s ‘milk plus’ was the milk. Yeah, of course - but not only the milk. So calling “Diola” punk is the intentional narrowing of the spectrum that cuts most of the sense of it. They are broader than one simple label you may stick to them: they are punk plus the sense of nuance, they are primordial hardcore plus the sense of melody, they are experimental rock plus the sense of humour. Their songs - though quite convoluted with all these quirky changes in dynamics and time signatures - never seem to run out of control.
If you're not familiar with Unicornibot (though it's clearly your fault), you can find the best reference points for diola in the fellow BCore Disc residents Betunizer, Cuello and Power Burkas. So if you like any of them (most probably if you like any of them - you like them all), diola is the new entry for your 'frequently played' tracklist.

The best tracks: Nivel Experto, Charo, Match, La Gozadera

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