Monkey Week 2018 - 10th Anniversary. The Summary

Just some info in brief.

My average “go/not go” decision-making term for travels is 6 months.

The decision-making term for this particular trip was less than 5 days. Even while sitting in Cologne airport stopover I was under threath of coming back.

The whole 4 days of the travel. 

The whole 2 days of the Monkey Week 2018 festival.

This was an adventure ad-lib, the most unprepared trip in my life.

My first visit to Seville, my first visit to Andalusia.

70 km passed on feet.

40 bands seen onstage. 

The new encounters. The re-encounters with the old pals. 

The new bands to follow.

Estrella Galicia under the rain. Lots of Estrella Galicia under the rain.

These were the happiest of days.

I felt like every person I run into was a musician.

I was happy to see Saim, Da Souza, Travesti Afgano, Bifannah and Exnovios live. I expected them to be great onstage – and they were truly amazing.

I was happy to get soaked into the magic sounds of Dreyma, Terry vs Tori, Kindata and Saletile.

I was happy to discover and immediately fall for Yawners and Puma Pumku (regarding the latter – I liked their “Is It In You?” LP alot but they spent plenty of time quite quiet since, and I had no idea on what they were up to now).

San Jeronimo, my greatest live discovery of the fest both musically and personally.

And, last but not least. Pumuky and GAF Y La Estrella De La Muerte. "One of my favourite bands and one the best live acts of the scene" - I can apply this phrase to both of them. The only reason for you to avoid visiting their shows in your town is death. No kidding, I saw the persons amongst the audience who cried after their sets. 

And I was crying after their sets too.

During these two over-saturated days I’ve seen live the following.

Full Concerts:

Mini Showcases (Friday 23, DITTO)

Saim (Friday 23, Mangaroca)

Pumuky (Friday 23, DITTO)

GAF (Friday 23, DITTO)

San Jeronimo (Friday 23, Mangaroca)

Cor Blanc (Friday 23, Studio 74)

Exnovios (Friday 23, Sala X)

Yawners (Saturday 24, Jagermeister)

San Jeronimo (Saturday 24, Hops & Dreams – OffMonkey)

Kindata (Saturday 24, Hops & Dreams – OffMonkey)

Melenas (Saturday 24, Vinilo Rock Club)

Travesti Afgano (Saturday 24, Itaca)

Saletile (Saturday 24, Sala La Calle – Fiesta Keroxen)

Pumuky (Saturday 24, Sala La Calle – Fiesta Keroxen)

GAF Y La Estrella De La Muerte (Saturday 24, Sala La Calle – Fiesta Keroxen)

Partially Seen:

Baiuca (Friday 23, Jagermeister)

Dreyma (Friday 23, DITTO)

Biznaga (Friday 23, Teatro Alameda)

Terry vs Tori (Friday 23, Sala Even)

Bifannah (Friday 23, Sala Even)

Da Souza (Saturday 24, DITTO)

Puma Pumku (Saturday 24, Jagermeister)

Uniforms (Saturday 24, Fun Club)

Los Jaguares De La Bahia (Saturday 24, Ron Contrabando)

Seen Only Episodically:

El Imperio Del Perro (Friday 23, Ron Contrabando)

Las Yumbenas (Saturday 23, Mangaroca)

Baywaves (Friday 23, Sala X)

RADIO3 La Guerra De Las Bandas (Saturday 24, Ron Contrabando)

Los Estanques (Saturday 24, Ron Contrabando)

Dani Llamas (Saturday 24, Ron Contrabando)

Pet Fennec (Saturday 24, Fun Club)

Planned But Not Seen:

Alien Tango, Futuro Terror, Vulk, Joan Colomo, Aliment

5 años. Top50 albums 2000-2017

The year 2018 marks the 5-year jubilee of this tiny music-related blog. Now I'm finalizing the string of specials to celebrate this. This is the ultimate one - Top50 albums of the newer history of Spanish rock music as I see it. For good or bad this is what it's like. Initially I've tried to create this list with quite objective approach avoiding my personal affections and taking into account such things as impact on the scene instead - but quickly found it impossible. So that's what came out as a result.

50. Love Of Lesbian “Cuentos Chinos Para Niños Del Japon” (p)2007 Naive

49. Delafe Y Las Flores Azules "Trompetas De La Muerte" (p)2010 Warner

48. Sexy Sadie "Butterflies" (p)2000 Subterfuge

47. Pau Vallve "Abisme Cavall Hivern Primavera I Tornar" (p)2017 not on label

46. Disco Las Palmeras! "Nihil Obstrat" (p)2011 Matapadre

45. Second "Fracciones De Un Segundo" (p)2009 Warner

44. Ivan Ferreiro "Mentiroso Mentiroso" (p)2008 Warner

43. Joe La Reina "Bailamos Por Miedo" (p)2014 Subterfuge

42. Triangulo De Amor Bizarro "Triangulo De Amor Bizarro" (p)2007 Mushroom Pillow

41. Nadadora "Luz Oscuridad Luz" (p)2010 Ernie

40. Half Foot Outside "Heavenly" (p)2008 Limbo Starr

39. Mercromina "Bingo" (p)2003 Subterfuge

38. Izal "Magia Y Efectos Especiales" (p)2012 HOOK

37. McEnroe “Tu Nunca Moriras” (p)2008 Subterfuge

36. Carmen Boza "La Mansion De Los Espejos" (p)2014 self-released

35. Muy Fellini “Muy Fellini” (p)2007 BCore Disc/ Underhill

34. Russian Red "I Love Your Glasses" (p)2007 [PIAS] Spain

33. Pumuky "Justicia Poetica" (p)2015 Jabalina Musica

32. Dorian "El Futuro No Es De Nadie" (p)2006 [PIAS] Spain

31. Power Burkas "Llarga Vida Al Taranna" (p)2016 BCore Disc

30. Los Planetas "Encuentros Con Entidades" (p)2002 RCA-BMG

29. L.A. “Heavenly Hell” (p)2011 Warner

28. Berri Txarrak "Jaio.Musika.Hil" (p)2005 GOR Diskak

27. Christina Rosenvinge "Tu Labio Superior" (p)2008 Warner

26. Havalina “Las Hojas Secas” (p)2011 Origami

25. Unicornibot “Mambotron” (p)2011 Matapadre

24. Villanueva “Viajes De Ida” (p)2014 Esmerarte

23. Aina "Bipartite" (p)2001 BCore Disc

22. Sr. Chinarro "Perspectiva Caballera" (p)2014 VEEMMM

21. Igloo “02. Transicion De Fase” (p)2009 Ernie

20. La Habitacion Roja “Fue Electrico” (p)2012 Mushroom Pillow

19. Muy Poca Gente “En Flor” (p)2001 Grabaciones En El Mar

18. Delorean "Apar" (p)2013 Mushroom Pillow

17. Manta Ray “Estratexa” (p)2003 Acuarela

16. GAF & La Estrella De La Muerte “Sunriser” (p)2013 Foehn

15. Nudozurdo “Tara Motor Hembra” (p)2011 Everlasting

14. Madee "L'Antartica" 2007 (p)BCore Disc

13. Hazte Lapon “No Son Tu Marido” (p)2015 El Genio Equivocado

12. Celere “Al Dia Siguiente” (p)2012 not on label

11. Leon Benavente “Leon Benavente” (p)2013 Marxophone

10. Love Of Lesbian “1999” (p)2009 Music Bus

09. Linda Guilala “Psiconautica” (p)2016 Elefant

08. Rufus T. Firefly “Magnolia” (p)2017 Lago Naranja

07. Deluxe “Fin De Un Viaje Infinito” (p)2007 Mushroom Pillow

06. I Am Dive “Ghostwoods” (p)2012 Foehn

05. Vetusta Morla “Un Dia En El Mundo” (p)2008 Pequeno Salto Mortal

04. El Hombre Burbuja “Nadando A Crol” (p)2000 Everlasting

03. Pumuky “El Bosque En Llamas” (p)2009 Jabalina Musica

02. Los Piratas “Ultrasonica” (p)2001 Warner

01. Oso Leone “Mokragora” (p)2013 Foehn

Yo, Estratosferico "Aves Raras"

I am biased. I should declare it beforehand cos I know this time I can’t be objective. Frankly, there’s nothing to do with objectiveness in my reviews from the very first moment I started doing it. But this time I’m biased quite significantly even by my habitual measures because sometimes you run into the things that make you happy on a molecular level and you can’t stand it just letting it loose.
The 21st century spoiled the term ‘emo’ making it some kind of the death sentence, a black mark. People forgot it was first coined back in the 80’s, and initially it was an abbreviation for ‘emotionally charged hardcore’. All through the 90’s it had being used for the bands of the Sunny Day Real Estate and Braid streak (later these bands were framed into the ‘2nd wave emo’ subgenre to separate them from those like Rites Of Spring and Embrace with whom frankly they had little in common). And I don’t get it completely how it all jumped from The Appleseed Cast’s “Mare Vitalis” to sticking the 'emo' tag to My Chemical Romance shit albums in two year span.

The Guadalajara-based combo started making records back in 2014. With one EP and two [too cool to go unnoticed] longplays in the backpack the guys set the most recent 6 track EP "Aves Raras" to be their most ambitious record. Initially a four piece, now Jose, Diego, Oscar and Manu recruited the longtime friend Alberto “Tito“ Sanz (formerly of Thomb - the local band with the 'family ties' to Yo, Estratosferico) as the second guitar player to build up the sound they wanted to recreate with due precision.
Structurally the songs on “Aves Raras” come close to post-hardcore as they’ve got these stop-start dynamics, unusual time signatures and the kind of riffing usually labeled ‘angular’. Tone-wise the EP relates – on par with all the previous works of the band – to the 2nd wave emo rock as the voice of Jose is charged with emotion galore. His trademark singing style makes him one of the most memorable voices of the scene. Finally, the EP befriends the jangly edgy guitar playing style of post-millennial indie rock. Summing it all up the EP produces the full-bodied brooding and cathartic impression. If there’s an allegory to describe the difference between “Aves Raras” and the previous albums I’d like to suggest this one: imagine the band that usually played in the extremely small room stepping out into the greater hall. They might play the same music but it would sound quite different as there’s more space and air in there.
The EP contains two tracks the closest Yo, Estratosferico ever get to a hit: “Oporto” (a city or a metro station?) and “Todo Madrid Habla Mal De Ti”. But my by far favourite track is “Palido Y Salvaje” – the most unconventional and uncompromising track on the album. The most post-hardcore track. The most 2nd wave emo track. I’d like to live in the world where “Palido Y Salvaje” could be a massive hit.

BNDCMP

SPTF

FCBK

5 años. Participation in crowdfunding

The year 2018 marks the 5-year jubilee of this tiny music-related blog. Now I'm finalizing the string of kinda 'special issues' to celebrate this. The penultimate special issue is right here right now, and it's dedicated to 5 albums I participated in financing (in temporal order).
The sixth album, La Perra de Pavlov’s “Cronica De Un Movimiento” is the only one I’ve never received physically.

Sin Rumbo “LUZ” (p)2014

SPTF

Baden bah! “Futuro/a” (p)2014

OFFICIAL SITE

Nixon “El Ultimo Fuego” (p)2015

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Second “Viaje Iniciatico” (p)2015

SPTF

Proyecto Solaz “Propaganda” (p)2017

BNDCMP

5 años. 5 Albums More

The year 2018 marks the 5-year jubilee of this tiny music-related blog. So I'm in the process of making of kinda 'special issues' to celebrate this. The fourth of them is right here right now, and it's dedicated to 5 more albums (this time without ranking) I’d like to put emphasis at – reasonably, but without one common reason for all of them.

Tania de Sousa “Taniatank” (p)2014 Talka Records

This album was recorded with the help of Correos’ frontman Fermin Bouza and one-of-a-kind Fermin Muguruza. The additional amount of attention should’ve been attracted to it by this mere fact - and it did some splash at the moment of release, I recall. But the initial buzz was not prolonged for more. As the album sounds better than any given pop punk band’s ‘the best of’ compilation I could only express my regrets that it doesn’t seem to receive some continuation cos it looks like Tania quit making music now to pursue other interests in her life.

SPTF

Sin Rumbo “Forma Parte Del Espectaculo” (p)2012

My Spanish isn’t as fluent as I might want it to be. There are moments when I speak quite easily, and otherwise there are moments when I stuck like a dumbhead with no words in my mouth. This August I talked to Pablo Rodriguez-Salinas (guitar) twice, and both times were of the latter kind, to my self-depreciation. I tried to explain him that the whole Sonorama thing has started for me with Sin Rumbo’s performance back in August 2013. That performance was mostly based upon “Forma Parte Del Espectaculo”, so this album itself is a milestone in my own history of interactions with rock español.

SPTF

Moriran Todos! “Saltar” (p)2015

I bet you’ve never listened to Moriran Todos! cos the band ain't pretty active on the mainland of Spain. They’re from Canary Islands and “Saltar” is their first LP. This album has the right feel. It’s not overproduced. It’s not intended to be taken too seriously. It’s not that case, you know, when you can physically feel the burden of the commercial expectations (or expectations of any other kind) in every song. It’s kind of lighthearted album. Even if it was born too far from music epicenters – it’s hardly a reason for discarding it. The term ‘cool’ was intended for the albums like this one, and coolness never depends on place of birth.

BNDCMP

Mi Pequeña Radio “Donde Esta Lo Que Un Dia Fuimos” (p)2012 Bohemia Music

From my point of view, for this album the gap between the attention it deserved and the attention it received is the greatest of all. It seems like I am the only person (apart from its auteur David Tabueña) who still understands how good the album is. I recommended it to my friends, to my facebook and twitter followers. I put it in the 2nd place of my 2013 annual Top30 list. It all never seemed to work. The band put out another EP (which was great as well) and then quietly disbanded. As of now David plays guitar in Cycle. For him it’s all Ok today, but I still feel some kind of guilt about Mi Pequeña Radio’s ill fate.

BNDCMP

The Bright “Lineas Divisorias” (p)2015 Subterfuge

Definitely it is the most frequently listened album for me through the last 3 years. I may return to it in different moods, in different places and in different situations. This is my constant choice when I ain’t up to listen to something new. This is my constant choice when I don’t know what I want to listen to. Frankly, this is my constant choice - whenever.

SPTF

5 años. Top5 Most Underrated Albums

The year 2018 marks the 5-year jubilee of this tiny music-related blog. So I'm going to make a string of kinda 'special issues' to celebrate this. The third of them is right here right now, and this time it's dedicated to the albums that appeared in my annual top lists - but on some painfully low positions.

5. Dulce Pajara de Juventud “Triumph” (p)2014 BCore Disc

Appeared in: 31-33 appendix to the main Top30
Now: if the most recent albums of Smashing Pumpkins were sounding like this one I would still love them like hell.
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4. Elena “Concepte Vitrina” (p) 2015 Warner
Appeared in: ‘Honorable Mention’ appendix to Top50 list
Now: the perfectly crafted album of melodic guitar-driven pop that surely deserves more recognition than it ever had.
BNDCMP

3. Ruin Man Band “Paraiso” (p)2014 Ruin Records

Appeared in: 31-33 appendix to the main Top30 list

Now: I return to this strangely attractive mix of acid jazz, primordial blues and proto trip hop more frequently than I could’ve imagined.

BNDCMP

2. Yo, Estratosferico “Potencialmente Infinitos” (p)2016

Appeared in: #30 of Top50 list

Now: through the last couple of years this album and this band grew on to be more than just an album and a band for me.

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1. Hazte Lapon “No Son Tu Marido” (p)2015 El Genio Equivocado

Appeared in: 10x10 section of Top50 list

Now: as simple as it goes, the hidden gem of a nation, one of the best albums ever released in Spain.

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5 años. 5 great albums never reviewed here before

The year 2018 marks the 5-year jubilee of this tiny music-related blog. So I'm going to make a string of kinda 'special issues' to celebrate this. The second of these is right here right now, and it's dedicated to the Top5 albums released within the last 5 years but never reviewed on the pages of this blog before.

5. The Right Ons "Volcan" (p)2013 Warner

Usually they say something like “Every track on this album could be a hit single” or “This album is brimming with hits” in case of albums like this one. And this is when they are completely right.

SPTF

4. Eladio Y Los Seres Queridos "Orden Invisible" (p)2014 Esmerarte

The Galician-born stylistic brother of this list's #2. The pack of great songs, the right mood, the touch of genius on the songs like "Los Dinosaurios".

SPTF

3. Villapellejos "Elogios Y Ampollas" (p)2015-16 Mama Vynila

Funny and charming album that reflects in equal proportions the Basque band’s interest in folk, punk, riot grrl and indie pop. Demolition Doll Rods on a slumber party with Camera Obscura.

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2. Senior I El Cor Brutal "El Poder del Voler" (p)2013 Malatesta

“El Poder Del Voler” is born in a juncture of the straightforward folk rock and introspective indie rock so this music is pretty simple in its core. But it works phenomenally well.

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1. Villanueva "Viajes De Ida" (p)2014 Esmerarte

Quite painfully overlooked on the national level, this album is a solid, bright, masterful record that redefines the boundaries of post punk-based indie rock.

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