Best Of 2018. Honorable Mention

This is the first time for me when the main Top50 list doesn't contain an album by a 'big' band. This doesn't mean that the big bands have released poor albums this year. It isn't so, I'm not that stubborn purist who discards the big bands' music by default. Indie credibility is the great thing only when it doesn't come to sectarianism. But what I'm eager for the most is the sense of wonder that catches you all of a sudden. So, did they surprise me? Obviously no. To put it clear, when you grow up in terms of public attention, even on the scale of indie rock world... It sounds strange and contradictory but you somehow lose the ability to surprise. I mean, when you come to a certain level you've got the clear way to come ahead of you. You try to get your songs better, your sound cleaner, your lyrics more meaningful... But this is exactly what the audience expects from you! You may release an album that's better than the previous one in all possible dimensions - and it's no surprise at all. Second have released "Anillos Y Raices", their strongest effort since "Fracciones De Un Segundo". Did this fact surprise anyone? For good or bad, the big bands should make the great records. This is how the things should be, this is the way the things should go. By the way, with "Anillos Y Raices" the band from Murcia steps pretty close to pop perfection. The songs are brilliant, the sound is clean, the satisfaction is guaranteed.

Carmen Boza "La Caja Negra"
(p)Etiqueta Negra
OFFICIAL SITE
I am prone to Carmen. And, though I still like her first album more than the fresh one, I can’t deny the latter’s advantages as it is sonically wider, melodically more unpredictable and still works well emotionally. It was easy to lose something important beneath all these new sounds, new tricks and new twists and turns but, fortunately, it didn’t come true.

Ran Ran Ran "Ran De Mar"
(p)Bankrobber
BNDCMP
This band surprised me way too much. The last year’s “L’hereu” was the perfect example of lo-fi folk pop. But the short gap between the releases has made the crucial impact on sound. New album sounds… lush!? It's... ambitious?! I wasn’t ready for this, I can’t correlate this new-found sound with Ran Ran Ran's portrait that was built up based upon the band's previous releases inside my head. I need more time to spend with this album, and chances are it will grow on me later.

Pau Vallve "Costa-Roja (Sessions d'assaig al mig del no-res)"
(p)self-released
BNDCMP
Amazingly, the new release of Pau Vallve is just as great as "Abisme Cavall Hivern Primavera I Tornar" that sat on the very top of the last year's list. It consists of the alternate versions of the various tracks from the previous releases – and performs rather like an intermediate station between "Abisme..." and the next album that is set to release in 2019. But it's valuable in its own right!

Basanta "Colorama"
(p)C4Music
BNDCMP
The Galician five-piece Basanta are the Spanish answer to the ‘occult rock’ revival. There are some true gems (“Emperador”, “Tentacion”) amongst these eleven songs.

p3z "Puzzle"
(p)self-released
BNDCMP
Post-everything mixture of… you know, literally everything. It's apparent that the auteur of p3z - the producer Javi Pez - hasn’t considered any stylistic borders for his brainchild, so his album is quite an adventurous listening.

Muttura "Esbossos Perduts"
(p)Edita La Servidumbre
BNDCMP
A cassette-only release by Edita La Servidumbre, a tiny record label born inside the Ultra-Local record store. It’s a free-from post-rock'y music, both beautiful and meditative. A perfect choice for the fans of Hood.

Malaspecto "Alejate De Esto (Proximos Fracasos)"
(p)El Hombre Bala
BNDCMP
All these songs were recorded live during the short string of performances, mostly in one take, in the presence of the audience. And some of these songs were recorded when I was right there! So I feel some kind of connection to this album.

Cigüeña "El Vuelo"
(p)Repetidor Disc
BNDCMP
You may consider these guys the Cala Vento followers but the truth is Unai Lilly and Martin Arles began to play together a few years before their Catalan colleagues started a band. It's post hardcore. Cool, potent and melodic post-hardcore.

Capita Pilgrim "Corbs"
(p)No Me'n Records/ El Mamut Tracut/ Bestiar netlabel
BNDCMP

The lo-fi grunge album by the band I know nothing about. But I like it very much.

There are many more releases that are mentioned neither here nor in the main list. Really, a lot of good records have seen the light of the day this year. It's just impossible to fit them all into the Top50.

Top20 EPs and mini-albums
50 - 41 >>>
40 - 31 >>>
30 - 21 >>>
20 - 11 >>>
10 - 01 >>>

Best Of 2017. Honorable Mention

<<< 41 - 50

<<< 31 - 40

<<< 21 - 30

<<< 11 - 20

<<< EPs & mini albums

Ainara LeGardon "Ainara LeGardon" (p)self-released
BNDCMP

Malaspecto "¡Qué poca vergüenza! / Canciones Obsoletas" (p)El Hombre Bala
BNDCMP

NääN "A Traves D'Un Miratge" (p)self-released
BNDCMP

Diola "Diola" (p)BCore Disc
BNDCMP

vol menor "Contracorrent A L'Instint" (p)self-released
BNDCMP

Wild Honey "Torres Blancas" (p)Lovemonk BNDCMP

L'Hereu Escampa "Pren La Matinada" (p)Famelic BNDCMP

Zulu Zulu "Defensa Zebra" (p)Foehn Records BNDCMP

Campeon "Suncampeon" (p)self-released BNDCMP

Black Mirror "No Colours For Concern" (p)El Hombre Bala BNDCMP

First of all, all these albums of this section are exceptional. The only reason why they're out of the main list… Oh no, there's no one and only reason for all of them. Some of these albums (Diola’s unconventional punk rock album, vol menor’s “Contracorrent A L’Instint” full of indie pop brightness in 'under 1.5 minutes' format) have spent some time within the Top50 but the year end’s carpet bombing of the heavyweight contestants (Tulsa, Vetusta Morla, Eladio Y Los Seres Queridos, Autumn Comets) pulled them out of the final edition.

Another reason is my attempt to create the poll diverse enough without concentrating on some given genre as nobody would like to look through the list with only post-hardcore/90s indie rock entries. The albums of Wild Honey and L’Hereu Escampa also were in my long list but fell victims to their genres’ representation in Top50. There are 8 albums of indie pop and 5 albums of Catalan Post Hardcore TM more in the main list, so these two became the (un)lucky losers.

Basically, I'm trying to do the poll that could be interesting for other people, not only for me, sometimes distancing myself from my own tastes. And this approach... it really makes me develop myself. Sometimes it makes me discover the gems I'd never be going to discover may I take the other method. But I can’t deny my own vision completely. For instance, I hardly could imagine the band like La Iaia to be in my main list - but I listened to it, I liked it, and I'm still listening to it. In the other hand, Ainara LeGardon’s eponymous release is like some great wine where you taste all these nuances and overtones and you feel with the pores of your skin that this is really great - but it's obviously not exactly what you want and you're not going to drink it quite frequently and you're not going to recommend it to others. I do recommend “Ainara LeGardon” because it’s a great record - but it's the great record for minority. And I can repeat these words for NääN’s “A Traves D'Un Miratge”, Black Mirror’s “No Colours For Concern” и Zulu Zulu’s “Defensa Zebra” – these are the outstanding albums but they’re too special for such the post-hardcore/90s indie rock junkie like me.

Regarding Malaspecto’s “¡Qué poca vergüenza! / Canciones Obsoletas”… It may look like a joke, and it may sound like a joke. But why can't I throw these short sarcastic sonic glimpses out of my head for literally months??? Last September I was lucky to see them performing live and it was an exceptionally funny moment. You have to embrace their aesthetics of true spontaneity to enjoy the duo’s art in its fullness. By the way, they're punk rock. Not synth-pop or electro or anything like that.

And, finally, the harsh, brutal & honest punk/hardcore/under-grunge (think of Husker Du or Fleeper) with the power pop melodicity of Campeon is also highly recommended. The album is produced by Brian Hunt.

01 - 10 >>>

A Brief Overview Of The Canarian Rock, Vol. 1

What makes me wonder about the Canarian music scene the most - is that dichotomy between this impression of the enclave of Heaven on Earth which Canary Islands appear in the eyes of the outside beholder, and the gloomy music this place generates. Really, instead of being as merry and sunny as the beaches of Las Americas or Maspalomas the music is mostly dark and inward-looking and unconventionally structured and convoluted as the bound limbs in the forests of Anaga.

San Borondon

This project of another local band Malcortado participant Jorge Miranda plays folksy and at times quirky yet tuneful lo-fi indie-rock. Their music is simple enough to easily attract a listener while having its own roughnesses and angles left unpolished.

Cabeza Borradora

One of the most longstanding musical projects of the Canary Islands, Cabeza Borradora, named after the David Lynch's enigmatic "Eraserhead" movie, appeared from the hot and heavily inclined streets of La Orotava, Tenerife, in 1993 to spread around the sound of Madchester wearing the influences of Primal Scream, Happy Mondays, New Order and Jesus Jones on their sleeves. The band went on to hiatus in 2000 and stayed silent for almost 13 years when returning in the very end of 2012 with the updated line-up, new concerts schedule and new release named "The Jack Nance EP" planned for 2014.

Malaspecto

The idyosynchratic duo focuses on Casiotone-based cartoon-voiced lo-fi techno pop. The band left several years in hiatus but recently returned to making music and released their reedited 2002 album through the local El Hombre Bala imprint in 2013.

Malcortado

This band from Gran Canaria island pays homage to 90's american indie movement playing loud and fresh indie rock in the vein of Superchunk and others of that generation proving that this type of music is not dated. The band only is to record a full lenght.

GAF & la Estrella De La Muerte

Led by Mladen Kurajica, the loose psychedelic and mostly instrumental combo emerged from Santa Cruz de Tenerife. GAF is another Canarian band well-known on the mainland, having 4 LPs in the background - all issued via Barcelona-based Foehn Records - and gigs in such countries as Japan and Mexico. The most recent album, "Sunriser" (p)2013 has received favourable reviews all over Spain. The centerpiece of this record is the gorgeous 20-something minutes long track "Yannakis" which amalgamated almost all basic elements of GAF's music: dreamy pipes and other winds, trippy translucent guitar drones, athmospheric ambient sounds, quasi-ritual drums - all this comes through lightweight first half of the track twisting and coiling up and down to become the armor-crashing wall of sound in second half. And it makes me recalling little-known space rock bands like Poem Rocket or SIANspheric4.

El Pilar Azul

A solo project of Pumuky's current line-up guitarist Adan Zeus. "El Constante Sin Nombre", the debut longplay of the band, reached #14 in my 'Top30 of 2013' list, but now I think that it should have a bit higher ranking - as long as I'm listening to it on an everyday basis. The slow evolving post-rock-oriented music of rare beauty.

Pumuky

Formerly raised from Ycod de los Vinos, Tenerife, this musical vehicle of Jair Ramirez quickly became the most notable band ever emerged from Canarias. Having 'revolving door' cast of musicians in the band (the only constant member of Pumuky besides Jair is his brother Noe) now Pumukies include Adan Zeus from El Pilar Azul, Dani Benavides (one-time member of El Pilar Azul, who also has the project of his own, LuzFuturo), Acaymo D and Jose A. Lopez from Malcortado.

Working for several initial years with no visible results, Jair had crystallized his music vision which resulted in building up the sound of his own. The first longplay "De Viaje Al Pais De Las Tormentas"  ("From The Travel To The Country Of Thunders") (p) 2006 was somewhat of a halfway to the perfection. The album had minor impact on the music scene but established Pumuky as 'persons of further interest' as well as allowed the band to make new connections within the scene.

The things roughly changed in a good way in 2009 when the second full lenght named "El Bosque En Llamas" ("The Forest In Flames") entered almost all the year-end national music polls, and along with the mainland longstays Vetusta Morla who released their debut LP "Un Dia En El Mundo" that year Pumuky were marked as the biggest national indie-rock sensations.

The next full lenght effort "Plus Ultra" deserved 2 years of working, and when being released it marked the slight change of the musical direction with the band now mostly focusing on dreampop sound.

Two years later the band released an EP "Pumuky Y El Eterno Femenino" for their label Jabalina Musica 'Dedicatessen' series. So now Pumuky is the band of absolutely unique sound - unique not only for Spain but for the worldwide music scene as well. The nation's property, not less.

Saletile

The ambient noise post-rock/krautrock duo from the town of Los Realejos, Tenerife. They have several EPs ("Trilogia Acustica", "Trilogia Noise", "SALE TILE") in back catalogue, all of them are up for free download from their BC page. The interstellar travels-inspired music of Saletile sounds interesting and innovative and seems to be free from the shortcomings which are common for the music of such type - it doesn't put you into that totally drugged-out state of mind.

A sampler of the actual sounds of Canarian scene you can obtain now from the BC page of local label El Hombre Bala Records.