Показаны сообщения с ярлыком honorable mention. Показать все сообщения
Показаны сообщения с ярлыком honorable mention. Показать все сообщения

вторник, 5 декабря 2023 г.

Lo Mejor De 2023. An Introduction

This was an amazing year. I feel kind of embarrassed saying this from within the frontiers of a country that still tries to eliminate its closest neighbour and now is in the process of banning at least 10% of its population via naming the LGBT+ people extremists - but musically it was really an amazing year. I'm used to making year end lists, I have been doing it for years and years, and rarely I went through such the mind-blowing exercise trying to elect 50 best albums of the year before. Fortunately it is 50! If it was 30 I'd have my head crack open for sure.
There were at least 70-80 albums in consideration out of the total 300+ releases I listened to throughout the year: from Cabello Prieto Azabache's "No.1" released 11th of January to Gazella's self-titled released 24th of November. Due to suffocating level of competition I was pressured to erase "Planes Para Días Grises", the most recent disc of my dear friends Igloo, from the final version of the list - the painful decision I still feel sorry about - as well as some other pretty great albums like Featherweight's "Ojalá Eternidad", Carolina Otero's "POPalina", Cucudrulu's "Zozobrar A Tiempo" or Vuelve Zinc's "No Lo Merecemos". Let it be kinda Honorable Mention for them.
Moreover, I would like to mention a handful of EPs and mini albums to be singled out, such as No Fucks' "No Fucks II", The Magic Mor's "Retrato De Amor Primitivo", Nøgen's "Åben Cirkel", Alondra Galopa's self-titled and Pálida Tez's "Viaje A La Habitación Del Fondo De La Casa". They deserve your full attention despite their diminutive stature.

среда, 18 декабря 2019 г.

The Best Of 2019. Honorable Mention

As usual, the main list of the best albums is prefaced by the Honorable Mention list.
This time the list consists of 20 albums that are too good to be abandoned but there are some reasons why they are not included into the main list. I’m still feeling sad I can’t write something about every album mentioned below due to time restrictions (as I would like to think) or the horrible truth about deterioration of my English skills (something I’d prefer to avoid thinking of).
Anyway, there are two bands that have decided to call it a day this year. The first one is Tom Boyle. “Mar De Fondo” was intended to be the first in the series of EPs set to release in 2019 but the band abruptly split instead. The next one is Tourmalet. IMHO, “Fausto” is not their strongest effort – but the band was great and it’s sad they ceased to continue.
Clara Plath is back from the maternity leave with the album that set the new direction for the band. If you can imagine acoustic goth rock – that’s what it sounds like. The material of “Oscura” is 50% old/ 50% new and that’s why this album is not in the main list. 
Regarding Delafe’s “Hay Un Lugar”, melodically it’s a great album but it’s too subdued. You know, the music sounds like all the main parts were deleted from the mix during the mixing process, and now you can listen only to the echoes and secondary undertones of what was initially intended to be music. 
The Birkins’ “You Are Not Alone” is a true gem. When I first listened to this 2-disc tribute to Bowie’s immortal masterpiece “The Rise And Fall Of Ziggy Stardust And The Spiders From Mars” my only emotion could be best expressed by that Futurama's Fry-starred “Shut up and take my money“ old meme. Look, they’ve got Jonathan Donahue in the mix!
And yes - Leon Benavente is in this section. 

En Septiembre «En La Constante Hay Un Bosque» (p)self-released BNDCMP
Grande Days «A Way To Collapse» (p)Elsa Records BNDCMP
Karabash «Societat Accidental» (p)Au! Records BNDCMP
Pauline En La Playa «El Salto» (p)self-released BNDCMP
The Night Animal «La Nocion del Impacto» (p)Orchard SPTF
Latigo Mantra «Diseccion» (p)Delia Records BNDCMP
Los Buges «Rendezvouz» (p)Discos Furia SPTF
Mad Robot «Punch Me, Kiss Me, Fuck You» (p)Endoftheworld/ Borx BNDCMP
Delafe «Hay Un Lugar» (p)self-released SPTF
Leon Benavente «Vamos A Volvernos Locos» (p)Warner SPTF
Blue Rodeo «Universo»/ «Vespertinos» (p)El Hombre Bala/ Los 80 Pasan Factura BND/CMP
Tom Boyle «Mar de Fondo» (p)self-released BNDCMP
Tourmalet «Fausto» (p)self-released BNDCMP
Power Burkas «Mai Nego L'Oci» (p)BCore Disc/ Famelic BNDCMP
Villanueva «Cuarto De Invitados» (p)Son Buenos SPTF
Clara Plath «Oscura» (p)Flor Y Nata BNDCMP
Birkins «You Are Not Alone» (p)El Genio Equivocado BNDCMP
Tucan «Maniacs, Fools & Jaguars» (p)MCR SPTF
Serpiente «Krizanteilu» (p)Humo BNDCMP
Tiger And Milk «Popular» (p)self-released BNDCMP


среда, 12 декабря 2018 г.

Best Of 2018. Honorable Mention

This is the first time for me when the main Top50 list doesn't contain an album by a 'big' band. This doesn't mean that the big bands have released poor albums this year. It isn't so, I'm not that stubborn purist who discards the big bands' music by default. Indie credibility is the great thing only when it doesn't come to sectarianism. But what I'm eager for the most is the sense of wonder that catches you all of a sudden. So, did they surprise me? Obviously no. To put it clear, when you grow up in terms of public attention, even on the scale of indie rock world... It sounds strange and contradictory but you somehow lose the ability to surprise. I mean, when you come to a certain level you've got the clear way to come ahead of you. You try to get your songs better, your sound cleaner, your lyrics more meaningful... But this is exactly what the audience expects from you! You may release an album that's better than the previous one in all possible dimensions - and it's no surprise at all. Second have released "Anillos Y Raices", their strongest effort since "Fracciones De Un Segundo". Did this fact surprise anyone? For good or bad, the big bands should make the great records. This is how the things should be, this is the way the things should go. By the way, with "Anillos Y Raices" the band from Murcia steps pretty close to pop perfection. The songs are brilliant, the sound is clean, the satisfaction is guaranteed.

Carmen Boza "La Caja Negra"
(p)Etiqueta Negra
OFFICIAL SITE
I am prone to Carmen. And, though I still like her first album more than the fresh one, I can’t deny the latter’s advantages as it is sonically wider, melodically more unpredictable and still works well emotionally. It was easy to lose something important beneath all these new sounds, new tricks and new twists and turns but, fortunately, it didn’t come true.
Ran Ran Ran "Ran De Mar"
(p)Bankrobber
BNDCMP
This band surprised me way too much. The last year’s “L’hereu” was the perfect example of lo-fi folk pop. But the short gap between the releases has made the crucial impact on sound. New album sounds… lush!? It's... ambitious?! I wasn’t ready for this, I can’t correlate this new-found sound with Ran Ran Ran's portrait that was built up based upon the band's previous releases inside my head. I need more time to spend with this album, and chances are it will grow on me later.
Pau Vallve "Costa-Roja (Sessions d'assaig al mig del no-res)"
(p)self-released
BNDCMP
Amazingly, the new release of Pau Vallve is just as great as "Abisme Cavall Hivern Primavera I Tornar" that sat on the very top of the last year's list. It consists of the alternate versions of the various tracks from the previous releases – and performs rather like an intermediate station between "Abisme..." and the next album that is set to release in 2019. But it's valuable in its own right!
Basanta "Colorama"
(p)C4Music
BNDCMP
The Galician five-piece Basanta are the Spanish answer to the ‘occult rock’ revival. There are some true gems (“Emperador”, “Tentacion”) amongst these eleven songs.
p3z "Puzzle"
(p)self-released
BNDCMP
Post-everything mixture of… you know, literally everything. It's apparent that the auteur of p3z - the producer Javi Pez - hasn’t considered any stylistic borders for his brainchild, so his album is quite an adventurous listening.
Muttura "Esbossos Perduts"
(p)Edita La Servidumbre
BNDCMP
A cassette-only release by Edita La Servidumbre, a tiny record label born inside the Ultra-Local record store. It’s a free-from post-rock'y music, both beautiful and meditative. A perfect choice for the fans of Hood.
Malaspecto "Alejate De Esto (Proximos Fracasos)"
(p)El Hombre Bala
BNDCMP
All these songs were recorded live during the short string of performances, mostly in one take, in the presence of the audience. And some of these songs were recorded when I was right there! So I feel some kind of connection to this album.
Cigüeña "El Vuelo"
(p)Repetidor Disc
BNDCMP
You may consider these guys the Cala Vento followers but the truth is Unai Lilly and Martin Arles began to play together a few years before their Catalan colleagues started a band. It's post hardcore. Cool, potent and melodic post-hardcore.

Capita Pilgrim "Corbs"
(p)No Me'n Records/ El Mamut Tracut/ Bestiar netlabel
BNDCMP
The lo-fi grunge album by the band I know nothing about. But I like it very much.


There are many more releases that are mentioned neither here nor in the main list. Really, a lot of good records have seen the light of the day this year. It's just impossible to fit them all into the Top50.

Top20 EPs and mini-albums
50 - 41 >>>
40 - 31 >>>
30 - 21 >>>
20 - 11 >>>
10 - 01 >>>